Creating Intentional, Reflective Spaces: SEEC’s Commitment to Meaningful Classroom Environments 

Introduction 

 Earlier this year, educators across SEEC’s vibrant community came together for an all-class meeting led by our Office of Engagement and Administrative Team. With representation from every classroom serving children from 2 months to 4 years, this gathering was an opportunity to reflect, share, and envision the future of our learning environments. 

The heart of the presentation focused on how classroom environments at SEEC should be more than just spaces—they should be reflections of what’s happening in the life of each class. They should be intentional, curated, and consistent across our community. As a lab school that integrates museums, community connections, play, and object-based learning, our environment serves not only as a backdrop, but also as an active participant in the learning process. 

The display boards in the Art Studio about the children’s exploration of Pacita’s Painted Bridge; the top left board discusses the inspiration from the art with descriptive posters, the top right board features a “Talking with Art” theme with children’s art and comments, the bottom board showcases multiple photos and descriptions of children engaged in the process of creating their pieces. 

Documentation is …   

“An effective piece of documentation tells the story and the purpose of an event, experience, or development. It is a product that draws others into the experience—evidence or artifacts that describe a situation, tell a story, and help the viewer to understand the purpose of the action”  

   – NAEYC 

Art display featuring a colorful collage with images, patterns, and cellophane fish, all pinned on a wall. It also features photographs of the children creating the fish, an image of Untitled by Simon George Mpata and a description plaque of the children’s exploration. 

Guidelines for Curated Spaces 
 

The administrative team outlined several key guidelines for building and sustaining rich classroom environments. One major takeaway was the idea of keeping displays fresh and relevant by changing them out monthly in alignment with each class’s unit of learning. Educators were encouraged to use real photos whenever possible, and to be mindful of how someone without any context—a new family, a visitor, or even a child—might engage with the documentation they encounter. 

Importantly, the team challenged educators to think beyond the bulletin board. Documentation should be thoughtfully showcased, using the full range of space within the classroom to reflect learning, discovery, and growth. Typed descriptions should support the visuals, offering clear, intentional narratives about what is happening and why it matters. 

A display featuring multiple photos of children in our Threes class engaging in the process of creating lanterns, and a text panel describing their exploration of lights during the holidays, complemented by a display of their lanterns. 

Showcasing the Extraordinary 
 

Another theme of the presentation was recognizing and intentionally showcasing the extraordinary work that is happening every day in our classrooms. Documentation is a tool for storytelling—and those stories should be shared with our caregivers, our peers, and the children themselves. It fosters connection, supports classroom community, and builds trust with families. 

We revisited an important question: Who is documentation for? The answer was multifaceted. It’s for children, who deserve to see their learning reflected back at them. It’s for caregivers, who want to understand and engage with their child’s experience. It’s for fellow educators, directors, and even for each of us as individual educators—a way to reflect on and grow in our own practice. It’s also a window for new families into the values and rhythms of SEEC classrooms. 

Left: An outdoor class exhibit with a child and their caregiver viewing paper artworks.  

Right: A caregiver reading a description of their child’s class art display while two children and two educators engage in play and story time. 

Engaging Children Through Environment 
 

The team emphasized that placement matters. Documentation intended for children should be placed low enough for them to engage with it—yes, even to touch it. When we introduce materials thoughtfully and set expectations, children can interact with their learning environment in respectful and meaningful ways. 

We also explored how the environment itself can shape classroom behavior. A carefully arranged, engaging, and responsive space can reduce challenges and support deeper exploration. Our surroundings can either hinder or enhance the work we do—and we have the power to use them intentionally. 

Wall display at child level featuring one of our Twos’ class artworks and a descriptive plaque, in a classroom setting. 

From Discussion to Action 
 

The presentation concluded with an open dialogue. Educators discussed practical concerns—how to manage time constraints, where to print documentation, and how to embrace the idea that children will interact physically with the materials on display. 

In the five months since, educators across SEEC have taken this guidance to heart. Classrooms are now filled with purposeful documentation that highlights the daily wonders unfolding in our community. From toddler rooms to preschool spaces, there’s a renewed commitment to documenting learning not just consistently, but meaningfully. 

As we look ahead, our goal is to continue growing in this work—pushing ourselves to create environments that don’t just display learning but deepen and celebrate it. 

Top: A display in our older infant class featuring the work of Alma Thomas alongside the children’s artwork. Bottom: Abstract paintings and textured art pieces by one of our toddler classes, and a central portrait of Piet Mondrian with a description of the children’s exploration of his art. 

Rethinking the Environment

Posted on behalf of SEEC Educator Amber Simatic:

For the past several years, my classroom left much to be desired: white walls, fluorescent lighting, and undefined spaces. However, at the beginning of the school year, I set a goal to create a more comfortable and inviting environment and to truly utilize the classroom as a teaching tool. I tried everything — changing bulletin boards, hanging art prints, displaying children’s drawings; but having mismatched, bright, primary colors everywhere was just not cutting it.

Early in the school year, I was unable to focus on the environment as much as I would have liked, given the challenges of settling in with a new class of students and getting to know a new team of teachers. However, within a few months we found our rhythm and I was able to focus again on the world around me. That’s when I noticed another SEEC center had used magnetic paint on a large wall to hang art with magnets instead of tape, which caused the wheels to start turning and brought me to my current realization: that I could expand the definition of changing my classroom beyond that of simply rearranging bulletin boards; that I could begin to think of my classroom as a home away from home and put just as much thought and care into it as I do my own home, because, after all, teachers and students spend a lot of time in their classrooms!

Once I realized my classroom’s potential, the possibilities became limitless.
A particularly challenging area of my room, above the changing table, could use some magnet paint, I thought:
“If that area can be magnetized, why not the whole wall?”
“And if I can use magnetic paint — why not colorful, magnetic paint?”
“Why not paint the whole room?”
“And if I can paint the whole room — what other changes, big and small, could I make to turn this classroom into a home?”
Each day at nap time, when the room was quiet and the soft music played, I would pat the kids to sleep and look around at the white walls, dreaming of color and comfort. For people who know me well, this concept is not a novel one: every apartment in which I’ve ever lived has been painted, if the lease allows.
I love having the creative outlet to change a space, but until recently I had never thought of applying it to my classroom.

To begin, I reflected on how the space worked, where the kids congregated, and how the placement of furniture influenced traffic patterns. I made several lists of what I liked and what I didn’t like; what I could change and what I couldn’t change; words that would describe my room and words that I would like to describe my room. These lists were extremely helpful in determining how to start the process.

There are a lot of things to consider when it comes to the physical classroom environment, the basics include: color, line, texture, form, and space. These five elements work together to create the physical environment.
Color can evoke certain moods and emotions. We even use this idea in our daily lives with sayings such as “green with envy” and “feeling blue”. Generally, when painting walls, cool colors like green and blue are calming while warm colors like red and orange tend to be stimulating.

Line can also set the emotional mood. Horizontal, vertical, curved, and diagonal lines all evoke different feelings. For example, diagonal lines suggest motion while curved lines relax a room.

Texture, both tactile and visual, engages learners and creates interest.

Form and space relate to how a room is set up. For example, does the placement of shelving units create symmetry and balance?

Baskets

Thinking about all of these items at once can quickly become overwhelming. I started with color by painting the walls then branched into some of the other elements, such as line, by adding a curved curtain draped along a window, and texture, by replacing plastic toy bins with baskets. Other things started falling into place too; I brought in plants, made slip-covers for brightly colored pillows and bought rugs.

Full view

If there is one thing I’ve learned throughout this entire journey it’s that reinventing the classroom is indeed a process. It’s a transformation that doesn’t happen overnight. Plans change and the project must adapt to fit our needs, and, more importantly, those of the children.

I’ve also learned to be vulnerable. Parents, kids, other teachers, and any one who walks into our center will see my classroom “unfinished” and that’s okay. As it turns out, the process is about figuring out what works best and feels most authentic for you and your classroom.