A Playful Experiment

Originally posted May 2014:

This past week I had the chance to attend one of SEEC’s seminars: Play: Engaging Learners in Object Rich Environments. During the two-day workshop, we explored the meaning of play and how to use it when teaching with objects. We began the seminar by defining play as a group. Some of the key words were: fun, tools, free thought, child directed, social, emotional, intellectual. To help us articulate the discussion, we also read Museum Superheroes: The Role of Play in Yong Children’s Lives by Pamela Krakowski, which distinguishes play as:

active engagement, intrinsic motivation, attention to process rather than the ends, nonliteral (symbolic behavior) and freedom from external rules.1

I reflected on these concepts and how they related to my own teaching. I wondered how I could incorporate more play into my practice, especially when I was in the museums. I decided to try out some new play strategies on a recent visit to the National Gallery of Art with a group of preschoolers.

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Asher Brown Durand The Stranded Ship 1844 oil on canvas National Gallery of Art Gift of Ann and Mark Kington/The Kington Foundation through Millennium Funds 2003.71.1

My first playful endeavor was completely spontaneous. I began the discussion by asking the children to describe this painting by Asher Brown Durand. One  girl pointed toward the artwork and said:

The sun is always moving through the sky.

I took this opportunity to ask the rest of the class whether they had ever noticed the sun moving through the sky too. They immediately offered their own examples. At that moment, I decided we should play the Earth. I asked everyone to stand up and slowly turn their bodies. I grabbed a parent and had her stand in the center pretending to be the sun.  As we moved, I explained how it was actually the Earth’s rotation that made it look the sun was moving in the sky. This was a completely unexpected and child-initiated moment, which was great. I think it was the playful element though that really made the experience memorable. If I hadn’t asked the children to get up and pretend to be the Earth, they would have been less likely to understand and remember the concept of rotation. By having them participate in the experience the concept was made real, tangible.

Part of the seminar was inspired by our colleagues at Discovery Theater. This session was, as one would expect, more theater driven and honestly, really challenged me. As the class continued to describe the Durand painting, I added secondary questions to enliven the discussion. For example, when the ocean was observed, I asked them to show me with their bodies how the ocean was moving and then I asked them to make the sound of the waves.  The kids were happy to illustrate both for me so when it came time to talk about the clouds and wind, we added sound effects and movements again. These exercises captured the essence of the painting, encouraged different learning styles and made everything more fun.

photo 2 (3)As the last part of the object lesson, I laid out several objects and asked them to work together to recreate the painting. They needed no instruction, but went right to work, collaborating until the composition was complete. Was it exactly like the painting, no, but they had used these tools to create their OWN composition. They were quite proud and were completely engaged in the activity. I saw them looking back at the painting, rearranging objects and making their own decisions.

All in all, the visit felt playful and meaningful. I am continuing to think about how to make my lessons more playful and how play can be a tool for learning within the museum environment.  If you have any ideas, please share!!!!

1. Journal of Museum Education, Volume 37, number 1, Spring 2012, pp. 49-58.

Celebrate NAEYC’s 2016 Week of the Young Child™! Guest Post by Rhian Evans Allvin

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A special guest post by Rhian Evans Allvin, Executive Director of the National Education for the Education of Young Children

Every year, NAEYC’s Week of the Young Child™ brings together thousands of young children, educators, and families from around the globe in celebration of our youngest learners. WOYC™ is a wonderful opportunity to celebrate the joy and play that are at the heart of early learning.

During this year’s Week of the Young Child™, April 10—16,  parents and teachers are encouraged to explore developmentally-appropriate activities based around five fun daily themes: Music Monday, Taco Tuesday, Work Together Wednesday, Artsy Thursday, and Family Friday. These suggested themes offer activity ideas supporting early math, language, literacy, and more, while promoting social-emotional development with diverse hands-on learning opportunities.

For this year’s WOYC™, NAEYC invites everyone to get involved in the celebration!  Make up a fun dance routine to our 2016 featured song, “One Love” as performed by Aaron Nigel Smith and the One World Chorus on Music Monday, or invite children to help measure ingredients on Taco Tuesday. Work Together to explore the world around you on Wednesday, create imaginative works of art on Artsy Thursday, and celebrate your unique family on Family Friday!

The Week of the Young Child™ is also a great opportunity to thank early educators for their hard work and dedication to the early learning profession. Research tells us that US voters overwhelmingly believe that early educators play an essential role within our communities—nearly on par with firefighters and nurses. These same voters recognize that early childhood educators have complex and demanding jobs and responsibilities, and that our national policies do not reflect the vast amount of developmental science supporting the importance of high-quality early learning experiences during a child’s most formative years. No matter how you celebrate WOYC™ this year, be sure to thank the early educators in your life, and the family members who help encourage learning at home.

As an NAEYC-accredited program, the Smithsonian Early Enrichment Center has proven to maintain high-quality early learning standards and offers quality learning experiences to its students and community. NAEYC is excited to see the fun activities and learning experiences that will be taking place this year! Teachers and families are encouraged to share their WOYC™-inspired activities by sharing photos, activity ideas, videos and more to NAEYC’s Facebook or Twitter using #woyc16, or sending directly to woyc@naeyc.org. We can’t wait to see how you celebrate the early learners in your life!

NAECY2To learn more about NAEYC’s Week of the Young Child™ visit naeyc.org/woyc. To get involved in the conversation about supporting and elevating the early education profession through our nation’s public policy, join NAEYC’s Early Ed for President movement at earlyedforpresident.org.

Fountain Fun

DSCN3881Pools, beaches, lakes, sprinklers…it’s that time again! Children all over the US are enjoying summer-time to its fullest and likewise, parents are looking for water-inspired activities. Here in DC, we are lucky enough to have a number of public fountains that are both beautiful and refreshing. Fountains capture the imagination of children, so why not take this opportunity to create a learning experience?

Duckling FountainInfants
Infants often have mixed feelings about water, it can be both scary and exhilarating. Why not introduce them to water through their senses, especially sight, sound and touch. Simply draw their attention to different aspects of the fountain.

  • Do they hear that sound? Mimic the roar of the fountain.
  • Describe the color of the water.
  • Connect the fountain to the actual feeling of water by getting their hands wet.
  • At home, identify other places where you might find water and remind them of their visit to the fountain.

Toddlers

Toddlers are excited by new things and fountains are no exception. Take the time to explore the fountain and ask simple questions about its design:

  • What direction is the water moving?
  • Is there water that is still, where?
  • From where do you think the water is coming?
  • What else do you see besides water?
  • Do you see any pictures or decorations?
  • Try making your own fountain at home with a hose and baby pool.

Preschool and UpFirefly Fountains

By now your child has seen a few fountains and you can begin to investigate the concept further. Here are some fun multidisciplinary ideas:
  • Rainbows, light and water. This blog has some nice experiments you can easily duplicate.
  • Experiment with force and getting water to move in a certain direction. You can even perform this experiment at home if you are feeling adventurous.
  • Discuss why fountains are used: are they pretty, do they help us remember something, are they for cooling off, do people seem to like them?
  • Ask them to choose a location in your community and design their own fountain.

Favorite DC Fountains

Fountain at the Hirshhorn

Fountain at the Hirshhorn

  • Hirshhorn Museum and Sculpture Garden
  • National Museum of American History (Constitution Ave. Entrance)
  • US Navy Memorial Plaza
  • National Gallery of Art
  • National Museum of the American Indian
  • Senate Fountain
  • WWII Memorial Rainbow Pool
  • Bartholdi Fountain
  • What is your favorite community fountain? Leave us a message!

    Summer Fun: Building Collections with Your Child

    If you have a child in elementary school, they have probably come home with some sort of summer packet. I’ve seen the “packet” take various forms: from a list of innovative ways to encourage reading to a dull packet of worksheets. Either way, parents and educators alike want to encourage learning outside of school and during a time that has been characterized as the “summer slide.”  I hope some of the ideas on how to build a collection will inspire your family to engage in playful learning this summer. Adjust as you see fit for age and your schedule.
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    household objects
    Flower Parts
    Looking at flowers
    1. Choose a topic in which your child is interested and then find a space in your home where you can place a table and don’t mind hanging things on the wall.
    2. Begin building your collection by visiting your local library and selecting several books.
    3. Find other toys and household items that you don’t mind donating to the cause.
    4. Use these items in a way that they can explore them with their senses, i.e. what does the flower smell like or what sound do seeds make in a bottle. Also allow them to manipulate the toys or objects so they are using they are able to discover how things work and practice their fine motor skills.
    5. Build a model, draw pictures and display.
    6. Add vocabulary words.
    7. Take it outside of the home and “experience” the topic, i.e. pick flowers or keep a journal of flowers you see during your day.
    8. Take to the community and visit a museum, local store, etc. Take pictures and post in the collection area.

    Helpful Hints

    • Collect, create and display together!
    • Keep the collection at their height.
    • When they are ready, change it up or expand on the topic, i.e. flowers – gardening – water cycle.
    • Let them come and go on their own and edit along the way.
    • Have fun!

     

     

     

    Upcoming Teacher Workshop

    LTOWell, we have made it to January. That delightful in between month—the month where we leave the stretch of holiday breaks behind and take a deep breath before the chaos of spring begins. Our students are settling back into familiar routines but experiencing the expected adjustments that time away from school brings. As educators, we too are experiencing the adjustment, searching for renewed inspiration in the face of the winter blues, unpredictable weather, and in my case, growing preschoolers. It seems almost daily one of my students leaves early for their five year preschool check-up.

    We are also in the period of resolutions: Join the gym. Use your phone less. Sleep more. Build up your savings. Be more creative in the classroom or museum. In the midst of the screaming gym ads and hyper students, come join us for some respite and rejuvenation. SEEC is offering a space to renew your creativity, collaborate with peers, and take some deep breaths. Our premier seminar, Learning Through Objects, is almost upon us (February 27th & 28th). This seminar brings together educators from a diverse set of learning environments such as classrooms, museum galleries, and cultural centers. Presented by our staff and representing work from our 25 years of learning with young children in museums, LTO may be the perfect antidote to the winter doldrums.

    A LTO alum wrote of her experience, “I walked away not only refreshed and inspired, but also with a variety of ideas for how I can incorporate museums, objects, and artist studies into my classroom teaching. I am looking forward to sharing the lesson plan and field trip ideas I learned with my colleagues and of course to sharing the activities themselves with my students.” Additionally, for those in the DC area, LTO is accredited by the DC Office of the State Superintendent of Education and counts as CEUs. Come be renewed, come be refreshed, and check one or two of your resolutions of the list. We look forward to seeing you.

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    Full registration info can be found here. Keep that “save money” resolution as well, register before February 14th for our Early Bird Rate and plug in discount code SEECPD14 for an additional 10% off!

    Onwards!

    Smithsonian Pre-K Classes

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    Acting out a Renaissance Composition

    In our first blog, I talked about what the museum education department does at the Smithsonian Early Enrichment Center. Just to recap, we have two educators who work specifically with our classes here at the lab school. Our director, Betsy Bowers, heads our professional development efforts (more on that later) and my main responsibility is to promote and coordinate our outreach efforts for families who are not enrolled in the school.

    Comparing Jackson Pollock paintings

    Comparing Jackson Pollock paintings

    With Labor Day in our sights, I thought it was the perfect time to take a look ahead at what we are doing for our community families. Last year, we started offering preschool courses. These courses took place over a four-week period, meeting Saturday mornings. Each course had a theme (more information) and met for two hours. In the first portion of our morning, we would do some sort of introductory activity. This activity ranged from exploring a discovery box featuring cultural objects to comparing two paintings. Almost always these activities were meant to be done independently, meaning child and caretaker working together separate from the teacher. (These classes are very literally family classes, so caretakers play an important role). After our initial work, we would come together in a circle to discuss what they had done. Our discussion led us to an introduction to the museum visit.  

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    Using hands-on objects to teach in the galleries

    After bathroom breaks and the putting on of coats, we head to the museum for what is typically a 20-30 minute visit to one to two objects. During our visits, we use hands-on objects to engage the children in a multi-sensory experience and inquiry to guide the conversation. Museum educators are likely familiar with these approaches of object-based learning and the inquiry method. For educators who are unfamiliar with these approaches, let me suggest SEEC’s line of professional development seminars and/or MOMA’s inquiry course offered through Coursera (just completed it myself, very informative).

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    Freer Gallery of Art
    Shiva Nataraja, ca. 990
    Chola Dynasty, India
    Bronze
    Purchase–Margaret and George Haldeman, and Museum funds F2003.2

    After our visit, we head back to the classroom where we wrap up with a final project.While it’s most often an art project, I do not limit myself to that platform. This is extremely helpful for two reasons; first, sometimes it is not developmentally appropriate for children to recreate the art they have just seen and second, sometimes it’s not culturally sensitive to recreate the art either. A good example of the first scenario is when I did a lesson on the Renaissance and I wanted to talk about composition. They were not up for the challenge of creating a masterpiece that depicted, balance, dynamism and fluidity. However, they could connect to these concepts by acting out their own birthday party photo and seeing the results. And when we do our class on Hinduism and visit the Freer’s Shiva Nataraja, we opt to look at videos of Bharatnatyam dance, do a sample of mudras and keep a beat with bells on our ankles. All activities are meant to build upon the concepts introduced through the lesson in a way that is interactive and self-directed.

    This year we also offering infant and toddler class, so keep an eye out for future blogs about these audiences. In the meantime, let me know what is working for you with young audiences in your museum!

    An Intern’s Perspective of SEEC

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    Written by: Beth Anne Kadien
    Rising senior at Georgetown University – SEEC Summer Intern

    I started in January doing behind-the-scenes work for SEEC’s Museum Education department, creating a database for the objects and prints that are used in SEEC classrooms. This summer I continued my internship, but in a more hands-on way. My experiences have been varied and always interesting. Moving from archival work to observing and leading classroom lessons was incredibly rewarding, both in what I had the opportunity to learn, and the witty student commentary. I came home to my roommates each day with a new story about the kids, which I have pared down to a top three favorite things overheard at SEEC:
    1. One student looking over at me and asking “Hey, do you wanna put your stuff in my cubby?”
    2. Asking a student where a colleague and I should get lunch, with a response of “Well do you girls like toys? Because then you should go to McDonalds.”
    3. Receiving a superhero alter ego and superpower from one of the Koalas. “You’d be Star Girl, and your superpower would be shooting penguins out of your hands.”

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    What I learned, while less entertaining, will have a long-term impact on my career choices. Here it is, the top 3 (okay, really 4) things I learned from SEEC.

    1. I am more creative than I thought. One of my proudest accomplishments, making a photo projector out of a shoebox.
    I wrote lessons for both SEEC classes and their weekend family workshops, with a range of topics from food to the science of colors and pigments, to transportation. These all seemed incredibly daunting when assigned, but now I know how to better think out-of-the-box so that I can create an age-appropriate and interesting lessons.
    2. Even if you think you have enough work, ask for more. One of my extra assignments was helping to write family programming for a partnership with a museum in my hometown of Memphis. It was so worth it!!
    3. Be mindful. One thing that is common in the various people I worked with at SEEC is that each employee takes the utmost care in considering others. Museum educators go to great lengths to be a resource to their classroom teachers; teachers know their students’ dietary needs, pet’s names, favorite things, and greatest fears better than I know my own. Each decision made is made with consideration to how it will affect the teachers and students. This is something I greatly admire about SEEC, and it is now a model to which I strive in my on-campus job.
    4. Actually the most important thing I learned, is that Splash Day is the greatest day, but you need to remember a change of clothes or else it’s a very cold metro home.
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    This summer has been incredibly rewarding, and I am more than grateful for the opportunities SEEC has given me.

    CREATING COLLECTIONS WITH YOUNG CHILDREN

    Do you have a collection? What do you collect? If you are leaning toward “no”, think again.

    On June 14th we ran our day-long seminar for professional development, Creating Collections with Young Children. After establishing soap, tea, buttons, and cooking pots are all valid collections we moved on to the Why?

    Why do you collect?   Is it to preserve a memory of a moment? Is it because youwere inexplicably drawn to an item? Is it out of function? Or something you’ve just done for so long you don’t know anymore?   Weather it’s a stack of family photos, a closet of shoes, stickers for scrapbooking, or trinkets from your childhood, they all tell a story.

    As humans, collecting is part of our hardwiring. From the days of our hunter-gather ancestors, we still use that natural instinct to process, categorize, and understand our world. The more exposure we have to a concept, the wider our knowledge becomes on that topic. Expanding our mind’s collection of “tree” allows for flexible thinking; it is no longer only a triangle on top of a stick but can flow from a sapling to redwood to a sculpture to a print.

    We’ve all discovered the end-of-the-day pockets full of treasures on our toddlers, so we know that the drive to collect it there. They may not be able to explain to us why, but these items chronicle their story.

    So how can we use this universal predilection to enhance their learning?   In our seminar we explored a collection on chopsticks, containing prints, text, advertisements, and plenty of hands-on time with the object. We discovered how important is to have a varied collection that presents one idea through multiple entry points. With this basic concept you can use collections to introduce a topic, explore a topic, or expand a topic.

    Matisse chat

    • Talking about patterns? Give your students collections of wallpaper and fabric swatches. Throw in Matisse prints and shells to see how they come alive in art or nature.
    • Doing a unit on birds? Sort a collection of feathers, or create a collection of nest materials. Add in Audubon prints and binoculars and magnifying glasses.
    • Interested in the food? Bring in a collection of labels to sort. Top it off with Warhol prints and various containers.

    These are just a few way that our wonderfully willing audience of teachers and museum educators brought collections to life. How can you bring collections into your classroom?

    Smithsonian Early Enrichment Center – Museum Education

    SEEC_Castle

    The Smithsonian Early Enrichment Center or SEEC, as it is commonly called, was founded in 1988. It is currently housed in two locations at the National Museum of Natural History and another, at the National Museum of American History.  The school serves children ages 3 months – 6 years and boasts a staff of early childhood educators, art educators, a music educator, a resident scientist and a department of 4 museum educators.

    It might seem odd for an early learning center to have a museum education department, but it makes a lot of sense when you consider all that museums have to offer young audiences.   And because of SEEC’s location on the National Mall, it is able to integrate the museum into the fabric of our students’ daily experiences.  Children are naturally curious and museums offer an ideal setting for them to explore, investigate and learn.  Encountering an object helps a child solidify their understanding of a concept and it sparks their imagination.  Whether it’s a trip to the National Zoo to see the snakes, a visit to the Castle to explore architecture or a stop at the Hirshhorn to see examples of modern art, the children are exposed to a variety of disciplines and ideas.

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    Pre-K takes a trip to Arthur M. Sackler Gallery to see a statue of Vishnu

    So, what do museum educators do here at SEEC?

    • We educate students within SEEC and the larger community – using methods unique to young learners.
    • We are a conduit between our classroom educators and the museums.
    • We maintain and offer resources to support the classroom in the form of hands-on objects, prints and books
    • We provide high quality research and information on objects within the collections and assist our classroom educators in framing that information in a developmentally appropriate way.
    • We plan special programs within SEEC and for museums across the country.
    • We have a unique understanding of museums and early childhood development and combine those perspectives to offer training to early childhood and museum educators.
    • We believe that young children can benefit from museums and we hope to encourage museum professionals to embrace them as an audience.  Similarly, we hope to encourage early childhood educators to see the museum as an informal learning environment for their students.

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      Museum Ed leads Pre-K circle on Vishnu

    Our hope is that our blog will open a larger dialogue about early learning and museums.  Please join us and share your thoughts!