Children are Citizens: A Collaboration with Project Zero (Part II)

Book ImageChildren are Citizens

On April 25, 2015 at the National Gallery of Art several DC schools, including SEEC, and Harvard’s Project Zero celebrated the launch of a book authored by over 300 students. The book was the result of a research and professional development project entitled: Children are Citizens: Children and Teachers Collaborating across Washington, D.C. The premise of this project is the belief that children are as much part of the community as their adult counterparts. They should not only be able to voice their opinions, but also participate in their community. Through their participation children will learn to see other’s points of view, work together, and understand how we are all interconnected, thus creating an informed and thoughtful citizenry who will become active participants in our democracy.  To learn more about Project Zero and this collaboration visit here.

SEEC’s Role

The first phase of the project entailed some thoughtful discovery. Children and teachers had several conversations about what they thought of their city, what they would like to change, important people and places. The second phase culminated in a book where SEEC students focused on their relationship with the museums on the National Mall.

Three classes participated in this project—PreK3, PreK4 and Kindergarten. Our first installment in this series featured our PreK4 class (insert link) and this installment will explore our PreK3 class, the Wallabies. Their section of the book focused on their favorite parts of the Air and Space Museum, the Hirshhorn Museum and the National Museum of American History.

This interview was conducted with, Erin Pruckno, Wallaby teacher.

Erin Pruckno with her PreK3 Wallaby Class

Erin Pruckno with her PreK3 Wallaby Class

What made you want to participate in this project?

I wanted to participate in this project because the concept of citizenship and education is something I’m very interested in and was a major part of my master’s degree in International Education. In my studies, I encountered a lot of scholarship about citizenship education—how we educate students to be citizens, how students are citizens, the definitions of citizenship—however, not many touched upon citizenship and young children. This always irked me because, as an early childhood educator, I believe wholeheartedly that education at this age matters so much and that young children should be treated as citizens who have a vital role in our communities and our futures. So, I jumped at the opportunity to put to action these ideas.

Could you describe the process through which your class participated in the project?

We began by going on investigatory visits to the museums we were covering for our contribution to the book the project published. The Wallabies contributed pages on the Hirshhorn Museum, the National Museum of American History, and the National Air and Space Museum. During these visits, I looked for clues to what the students were interested in, as well as documenting their experiences in these spaces. Later in our classroom, we followed up with conversations on our visits; asking them about what was important about our museums, what other children should know about them, our favorite things there. I really wanted to encourage a sense of ownership from our children and to convey their passion and expertise to the book’s audience. We would then go on follow-up visits to the museums, continuing our conversations, and then later illustrating some of the things they saw or described.

Visiting the Air & Space Museum

Visiting the Air & Space Museum

Can you outline how this project was implemented in your classroom?

We tried to integrate the project into our already existing courses of exploration. For example, when we were learning about space, a trip to NASM was easy to do since it aligned with our topic and we could have a museum visit as well as research trip for the project. Other times, we set aside days to visit the museums and document our learning just for the purpose of the project.

How did the professional development portion of this project help or change your ideas of how to teach or connect children to the city in which they live?

As a professional development opportunity, the project really challenged me to think more about how I document student learning and also how I engage them in conversations. The method I’ve often relied upon with my class is to pose a question, then let students take turns to respond. However, when doing this, we have less of a dialogue among

the class and more of a back-and-forth between me and individual students. This project encouraged me to take a step back during classroom conversations and listen more—allowing students to talk to each other instead of directly to me.

file (1)

Making maps of the museums

The project seems to emphasize collaborations and discussion, is there a conversation you had among your students that really stands out?

Some of our most interesting conversations started when I would ask the Wallabies to share the most important thing to know about the museums and the students began talking about things you can’t do in museums. As I sat back and listened, letting them guide the conversation (which was, as I said, a challenge and learning experience for me), dramas would unfold about why we couldn’t touch exhibits or the planetarium screen. They came up with elaborate stories about how touching the screen would make a hole, creating a problem, workers would have to fix it, and the president and other people coming to the museum would feel sad that it was broken.

How do you think your students views of DC changes during the course of the project?

My hope was that my students expanded their understanding of other children in D.C. They already have a strong understanding of their families’ communities (coming from neighborhoods all over D.C., Virginia, and Maryland) and of our SEEC community, but I wanted them to think more about other students in D.C.  By asking them to think of what other children need to know about the museums, I think they became more aware of how there are children outside our community who do not know the museums as intimately as they do, and that these other students might have different perspectives on D.C. that we can both learn from and share our knowledge with.

What was one of your more challenging moments during the process?

As I mentioned, facilitating conversations in a way that encouraged students to have a dialogue among them was a challenge, but a good learning experience for us. Initially, some questions were difficult for students to answer such as those that asked them to think about D.C. broadly, but over the course of the project it became easier to provoke conversation as we broke down things into more manageable pieces, like discussions about individual museums.

Visiting the Hirshhorn as part of their study of light and dark.

Visiting the Hirshhorn as part of their study of light and dark.

What was one of the most rewarding moments during the process?

During one conversation, a student exclaimed to the class, “Guys! I know something!” I loved her enthusiasm, eagerness, and confidence in sharing her knowledge. This moment also summed up the project for me. I wanted to help my students show that even though they are young, they know something, many things in fact, about their community and Washington, D.C and that their contributions to our understanding of our city are to be valued and heard.

Children are Citizens: A Collaboration with Project Zero (Part I)

Children are Citizens

Visiting the Smithsonian Castle

Visiting the Smithsonian Castle

On April 25, 2015 at the National Gallery of Art several DC schools, including SEEC, and Harvard’s Project Zero celebrated the launch of a book authored by over 300 students. The book was the result of a research and professional development project entitled: Children are Citizens: Children and Teachers Collaborating across Washington, D.C. The premise of this project is the belief that children are as much part of the community as their adult counterparts. They should not only be able to voice their opinions, but also participate in their community. Through their participation children will learn to see other’s points of view, work together, and understand how we are all interconnected, thus creating an informed and thoughtful citizenry who will become active participants in our democracy. To learn more about Project Zero and this collaboration visit here.

SEEC’s Role
The first phase of the project entailed some thoughtful discovery. Children and teachers had several conversations about what they thought of their city, what they would like to change, important people and places. The second phase culminated in a book where SEEC students focused on their relationship with the museums on the National Mall.

Three classes participated in this project—PreK3, PreK4 and Kindergarten. We will begin with the PreK4 class, also known as the Cinnamon Bears. Their section of the book focused on their favorite parts of the National Museum of African Art and the Smithsonian Castle and some insider tips, including that the Smithsonian Castle is not a real castle! It also featured a list of their favorite objects in the museums, a story entitled The Story of How the Security Officers Own the Museums and photos of museum collections taken by the children.

Below you will find the interview with Cinnamon Bear teacher, Carrie Heflin about her experience with the Children are Citizens project.

Carrie teaching

Carrie Heflin

What made you want to participate in this project?

Project Zero is such an influential presence in the Early Childhood community and I feel so strongly about encouraging children to be active citizens that when we were asked to participate in this project, my commitment was a no-brainer. I couldn’t have dreamed up a better idea for a worthwhile endeavor than to show the DC community and my students how capable and powerful they can be.

Could you describe the process through which your class participated in the project?

We spent a lot of time talking together as a class about our ideas for this project. Much like the process for the adult facilitators, at least the first fifty percent of the project was all planning and bouncing ideas around. We didn’t get to the actual field work—researching and putting together the data for the book until around February. I loved the sense of respect and community that I felt in the classroom when we had these discussions. It was so nice to take time to just talk about our feelings and opinions and to truly listen to each other.

Can you outline how this project was implemented in your classroom?

The teachers did most of the facilitation for this project. We started out with some casual discussions about the city and about the project and then moved on to talking about the book, how books are made, and what information we wanted to contribute to the final product. A member of the coordinating team, Ben Mardell, would stop by occasionally to check in on our progress and to talk with the students about their ideas and opinions on the project thus far. The last phase was the most active. We went to all the different museums we had chosen to showcase in our portion of the book and took pictures and gathered information in small groups.

How did the professional development portion of this project help or change your ideas of how to teach or connect children to the city in which they live?

I really enjoyed getting to know and hear ideas from educators at other schools. We got together about five different times over the course of the project and it was lovely to share our experiences and learn how other classrooms explore the city. I always left our meetings feeling so inspired about all of the wonderful ways other educators were making the city accessible to their students and it helped challenge me to reexamine the way I looked at the city and how I talked about it with my class.

20150425_110313

Bears Display at the NGA

The project seems to emphasize collaborations and discussion, is there a conversation you had among your students that really stands out?

One of my favorite conversations I had with the class happened after one of Ben Mardell’s visits. He had talked to a small group of students about the museums and they ended up starting a story about where the museums came from. Ben sent me the script of the conversation in an email and, when I read the story back to the class they all had something to add. Before long it had morphed into this origin story of how the museums came into being. I learned so much about my students and how they view our community. They had these wonderful ideas about how the security officers are the real owners of the museums and they protect them from all the “bad guys.” I was so taken with the story and the children were so invested in it that it ended up hedging out some other material that we had originally intended to include in the book and it is still my favorite part of our section.

How do you think your students views of DC changes during the course of the project?

I don’t know that their views changed so much as my views widened to include more of theirs. I don’t have any hard evidence of any of my students budging even an iota on their original convictions, but the sense of understanding we gained from each other and from all of our conversations and collaborations in the classroom strikes me as very profound- even if it wasn’t the original intent.

What was one of your more challenging moments during the process?

I was often challenged by trying to balance working on the project and teaching lessons on our current topic of study. I know some of the other schools that participated made the project their main focus rather than trying to add it on to their curriculum. I think I might try that track if I had it to do over again.

What was one of the most rewarding moments during the process?20150425_105806

The absolute most rewarding moment was at the book release event at the National Gallery of Art when I saw all of the students walking around wearing big red badges that said “Author” on them. The sense of pride, accomplishment and empowerment was palpable and I think that really was the point of the whole thing.