Creating Intentional, Reflective Spaces: SEEC’s Commitment to Meaningful Classroom Environments 

Introduction 

 Earlier this year, educators across SEEC’s vibrant community came together for an all-class meeting led by our Office of Engagement and Administrative Team. With representation from every classroom serving children from 2 months to 4 years, this gathering was an opportunity to reflect, share, and envision the future of our learning environments. 

The heart of the presentation focused on how classroom environments at SEEC should be more than just spaces—they should be reflections of what’s happening in the life of each class. They should be intentional, curated, and consistent across our community. As a lab school that integrates museums, community connections, play, and object-based learning, our environment serves not only as a backdrop, but also as an active participant in the learning process. 

The display boards in the Art Studio about the children’s exploration of Pacita’s Painted Bridge; the top left board discusses the inspiration from the art with descriptive posters, the top right board features a “Talking with Art” theme with children’s art and comments, the bottom board showcases multiple photos and descriptions of children engaged in the process of creating their pieces. 

Documentation is …   

“An effective piece of documentation tells the story and the purpose of an event, experience, or development. It is a product that draws others into the experience—evidence or artifacts that describe a situation, tell a story, and help the viewer to understand the purpose of the action”  

   – NAEYC 

Art display featuring a colorful collage with images, patterns, and cellophane fish, all pinned on a wall. It also features photographs of the children creating the fish, an image of Untitled by Simon George Mpata and a description plaque of the children’s exploration. 

Guidelines for Curated Spaces 
 

The administrative team outlined several key guidelines for building and sustaining rich classroom environments. One major takeaway was the idea of keeping displays fresh and relevant by changing them out monthly in alignment with each class’s unit of learning. Educators were encouraged to use real photos whenever possible, and to be mindful of how someone without any context—a new family, a visitor, or even a child—might engage with the documentation they encounter. 

Importantly, the team challenged educators to think beyond the bulletin board. Documentation should be thoughtfully showcased, using the full range of space within the classroom to reflect learning, discovery, and growth. Typed descriptions should support the visuals, offering clear, intentional narratives about what is happening and why it matters. 

A display featuring multiple photos of children in our Threes class engaging in the process of creating lanterns, and a text panel describing their exploration of lights during the holidays, complemented by a display of their lanterns. 

Showcasing the Extraordinary 
 

Another theme of the presentation was recognizing and intentionally showcasing the extraordinary work that is happening every day in our classrooms. Documentation is a tool for storytelling—and those stories should be shared with our caregivers, our peers, and the children themselves. It fosters connection, supports classroom community, and builds trust with families. 

We revisited an important question: Who is documentation for? The answer was multifaceted. It’s for children, who deserve to see their learning reflected back at them. It’s for caregivers, who want to understand and engage with their child’s experience. It’s for fellow educators, directors, and even for each of us as individual educators—a way to reflect on and grow in our own practice. It’s also a window for new families into the values and rhythms of SEEC classrooms. 

Left: An outdoor class exhibit with a child and their caregiver viewing paper artworks.  

Right: A caregiver reading a description of their child’s class art display while two children and two educators engage in play and story time. 

Engaging Children Through Environment 
 

The team emphasized that placement matters. Documentation intended for children should be placed low enough for them to engage with it—yes, even to touch it. When we introduce materials thoughtfully and set expectations, children can interact with their learning environment in respectful and meaningful ways. 

We also explored how the environment itself can shape classroom behavior. A carefully arranged, engaging, and responsive space can reduce challenges and support deeper exploration. Our surroundings can either hinder or enhance the work we do—and we have the power to use them intentionally. 

Wall display at child level featuring one of our Twos’ class artworks and a descriptive plaque, in a classroom setting. 

From Discussion to Action 
 

The presentation concluded with an open dialogue. Educators discussed practical concerns—how to manage time constraints, where to print documentation, and how to embrace the idea that children will interact physically with the materials on display. 

In the five months since, educators across SEEC have taken this guidance to heart. Classrooms are now filled with purposeful documentation that highlights the daily wonders unfolding in our community. From toddler rooms to preschool spaces, there’s a renewed commitment to documenting learning not just consistently, but meaningfully. 

As we look ahead, our goal is to continue growing in this work—pushing ourselves to create environments that don’t just display learning but deepen and celebrate it. 

Top: A display in our older infant class featuring the work of Alma Thomas alongside the children’s artwork. Bottom: Abstract paintings and textured art pieces by one of our toddler classes, and a central portrait of Piet Mondrian with a description of the children’s exploration of his art. 

Teacher Feature: Penguins and Alma Thomas   

What was the topic of exploration?  

Our Twos class recently spent some time talking about colors. On this day, the focus was on the vibrant color red and its name. To make the learning experience even more engaging, this Twos class drew inspiration from Alma Thomas’ stunning artwork, Red Azaleas Singing and Dancing Rock and Roll Music, at the Smithsonian American Art Museum @americanart.  

One of our Twos educators began this lesson with the story Ablaze With Color by Jeanne Walker Harvey to capture the attention of the children and introduce them to Alma Thomas. 

What were the learning objectives? (What did you want the children to take away from the lesson?)  

This visit was an opportunity for our young learners to begin recognizing and appreciating colors in a real-world context. The bright and lively hues of Thomas’ painting captivated their attention and sparked their curiosity, making the concept of color recognition both fun and memorable. 

The educator passed out pieces of red tape to each child for the ‘Doing” portion of their visit at the Smithsonian American Art Museum. The background features Alma Thomas’ Red Azaleas Singing and Dancing Rock and Roll Music 

What was most successful about the lesson?  

How did the lesson reach your objectives to expand the topic?  

The most successful aspect of the lesson was the Twos educator reading “Ablaze with Color” by Jeanne Walker Harvey, a captivating story about Alma Thomas’ journey as an artist and her love for vibrant colors and the collaborative art created by the children. This beautiful story naturally facilitated the children’s exploration and appreciation of colors, sparking a conversation about the small red pieces in Thomas’ paintings. The lesson reached its objectives by expanding the topic through this engaging story, which encouraged the children to delve deeper into the world of colors and art. 

What was successful in terms of preparation and logistics? 

The children were inspired by the story and discussion, which led to a wonderful opportunity for them to create a collaborative piece of art in the gallery. By emulating Alma Thomas’ unique style, they used small pieces of colored tape on contact paper to craft their own vibrant masterpiece. This hands-on activity not only deepened their understanding of colors but also allowed them to express their creativity in a fun and engaging way. 

The educator gave each child the opportunity to place the pieces of tape onto a larger piece of contact paper for a collaborative art piece inspired by Red Azaleas Singing and Dancing Rock and Roll Music 

What could have been done differently to better achieve the learning objectives and expand the topic? 

To enhance their connection with Alma Thomas’s work, bring along multiple small prints of her pieces (you can find examples of her colorful abstract art in books or online). Having a print for each child allows them to hold and closely observe the details while viewing a larger piece, fostering a more personal engagement with the artwork. 

You could also bring along color words paired with their corresponding colors to encourage early literacy. For example, having “red” written on a red card or “blue” on a blue card can help young learners associate written words with visual cues. It’s a simple and fun way to integrate literacy skills into an art-themed adventure! 

Additionally, introduce the tools Alma Thomas used to create her masterpieces—such as a canvas, paintbrush, or any other materials. This hands-on approach offers insight into how artists work and inspires creativity. 

What was challenging regarding logistics?  

The Smithsonian American Art Museum (SAAM) opens its doors at 11:30 AM, which is not ideal timing for our young learners. We’re so grateful to have the option to request tours before the museum officially opens, making visits more accessible for our group. If visiting at 11:30 doesn’t work for your schedule, you can also see Alma Thomas’s vibrant Watusi (Hard Edge) on display at the Hirshhorn Museum—another fantastic option to explore her incredible artistry! 

What recommendations would you have for another teacher trying out this lesson? 

If you’re inspired to explore the work of Alma Thomas like our Twos class, here’s an idea to create a meaningful and engaging experience. Start by defining the space for each child and ensuring a respectful distance from the artwork. A small blanket or portable morning meeting circles can help provide a clear boundary between the class and the art, creating a cozy yet organized setting. 

To extend this experience into an art-making activity, colorful tape is a great way to replicate Thomas’s unique style. If colorful tape isn’t accessible, don’t worry! You can use vibrant pieces of construction paper in combination with contact paper to mimic her bold, textured patterns. 

This setup not only helps children appreciate art but also encourages exploration and creativity—just like Alma Thomas’s work inspires all of us.