Ready Set Go

Posted on June 19, 2014 by Cynthia Raso

Post by Betsy Bowers, Director of the Center for Innovation in Early Learning
As another school year comes to a close and we begin to say farewell to the many children who have spent the past 5 years or so with us, it’s hard not to wonder what’s ahead for them. Our educators tirelessly support SEEC students as we help them make sense of the world, love learning and grow into thoughtful young citizens. Over the course of this past year, a group of SEEC educators discussed what our students should be able to do when they leave SEEC.

Focus, persistence and determination.

Critical thinking and analysis.

There’s quite a long list. A few of the things we agreed on were that our students should leave SEEC being able to solve problems, be responsible, take risks, understand their role in the community and their ability to affect change, have compassion, respect and empathy for others, and communicate their ideas.

It’s a lot to ask a 5 year old if they know how to solve a problem or be responsible, because of course they will say, “yes.” We are, after all, working on having them leave SEEC with self confidence so a positive response is expected. Because I wanted to find out if our 5 year olds are entering Kindergarten as independent thinkers, I asked a few of them this more indirect question: “If I told you that five of your friends wanted you to climb up the Washington Monument so that you could jump off, what would you say?” One student gave me an odd look and responded, “That’s not really a good idea.” One student did say, “Yes.” We’ll hope that she has some clever ideas about how to do that safely. One student simply said, “Ouch,” while a few others were much too busy to want to elaborate and so responded with a “no.”

Ability to share ideas.

The response, though, that reminds us that all these skills are intertwined and expands our notion of “independent thinking” was this – “Only if we could jump off like a cannonball and onto a big trampoline!” Of course, why didn’t I think of that?

Collaboration and teamwork.

Here’s hoping that this playfulness, creativity, critical thinking and overall healthy outlook on the world that we have worked so hard to nurture is embraced by our elementary school colleagues and the world. Good luck, dear friends, as you now go and bravely pursue life.

Self esteem and confidence.

5 Things I Learned About Art From Children

Posted on May 28, 2014 by Cynthia Raso

For the past year and a half, SEEC has worked with the Memphis Brooks Museum of Art and the Lifelong Learning Group on a project designed to positively impact the educational experience of young children and their families through the arts. As we collaborated with the Memphis based museum educators, docents and early childhood teachers to create meaningful interdisciplinary classroom and museum based hands-on activities, we found that each of us learned more than we imagined possible at the start of the project. The following post presents one great unexpected example of the project’s impact.

Thanks to the partnership with the Brooks Museum of Art, the following is posted on behalf of docent Cheryl Caldwell:

5 Things I Learned About Art From Children

Art is so much more than just art: It can be science, culture, motion, and history, as well as color, line, and shape. Young children naturally think like artists, and their imagination is at its peak during their early development as students. Yet educators struggle with ways to develop and instill creative and critical thinking skills—crucial tools that this generation needs to utilize their creative impulses in educational and civic pursuits. As a docent at the Memphis Brooks Museum of Art, I work in conjunction with the Smithsonian Early Enrichment program, engaging Pre-Kindergarten and Kindergarten children from Title 1 schools, where 40 percent or more of the students enrolled are eligible for free or reduced lunches.

Equipped with my knowledge from the six-month docent training course, I teach these children about visual art in a museum setting. As a new docent, I am excited to introduce children to a museum and see that they fully experience all it has to offer. At the Brooks, children have the opportunity to see, touch, and feel the materials an artist might have used in creating a piece. Engaging these children in this setting while they are young takes the fear out of the museum experience and brings out the fun. Of course, the kids aren’t the only ones gaining from this experience.

Here are the top five things I’ve learned during my first year as a Brooks Museum docent:

▪ Get down low and look up at the artwork through the eyes of a child. This perspective might just give you new insight on a piece of art you thought you knew all about.
▪ Art inspires critical thinking rather than getting the right answer
▪ The smiles and enthusiasm are contagious.
▪ You won’t know everything, but you will probably learn something new with every tour.
▪ Children are far smarter and more creative than we give them credit for. You will often be amazed at how much they can offer if you take the time to watch and listen.

Participating families gathered in the Memphis Brooks Museum of Art.

Saturdays with SEEC Teachers

Posted on May 14, 2014 by Cynthia Raso

Posted on behalf of SEEC two year old teacher Javasa Finney:

Javasa at the Hirshhorn with SEEC’s two year old class.

This spring I decided to volunteer with the museum education team at the Smithsonian Early Enrichment Center (SEEC) to help out with the weekend family workshops. I currently teach in one of the two year old classesthere and was interested in seeing how the experience changes once parents are involved, in the classroom and museum visit.

During the workshops I worked with the infants, toddlers, and preschoolers. The theme for the infants/toddlers was “Tiny Gardeners” and in these classes the children had the opportunity to explore flowers and gardens. The theme for the older toddlers and two year olds was, “Where Does it Come From” which focused on exploring different foods and the origins of food. Every week we met at the Natural History Museum and then headed to the museum where we would find out the topic for the day by focusing on a particular object, exhibit or art work. After our visits, we headed back to the SEEC classrooms for some hands-on activities related to our topic of the day. Time in the classroom was spent, planting, cooking, painting, reading, singing, and additional play. It was also wonderful to see the children socializing and making new friends.

In the museum the children did a fantastic job. They all seemed very curious and ready to explore. Everyone was respectful of the exhibits and stayed together as a group. We were often even able to sit down together to share a story and hands-on objects while we were inside the museum. Everyone seemed captivated and engaged. During our trips we visited exhibits that were directly related to what our topic for that day was. Some of the museums we visited during the four weeks include the American History Museum, Freer Gallery, the Botanic Gardens and National Gallery of Art.

: Visiting orchids at the Botanic Gardens.

: SEEC’s Tiny Gardeners at the Botanic Gardens.

As I reflect upon my time in the family workshops, I have many great memories. It was great to see the children so involved at the end of the session that they didn’t want to leave. Since several of our families return from one session to the next, I imagine that they are also finding the experiences together both meaningful and memorable as well. Museums have so much to offer, they are inspiring and educating. They are great for introducing new topics or re-enforcing facts. The most wonderful thing I saw during my time volunteering at the family workshops was the parents and children bonding, learning, and discovering new things together at the museum. What a wonderful way to spend a Saturday morning! SEEC’s infant , toddler and pre-k Family Workshops will start up again in the fall. We hope to see you there!

Rethinking the Environment

Posted on April 3, 2014 by shoemakerb

Posted on behalf of SEEC Educator Amber Simatic:

For the past several years, my classroom left much to be desired: white walls, fluorescent lighting, and undefined spaces. However, at the beginning of the school year, I set a goal to create a more comfortable and inviting environment and to truly utilize the classroom as a teaching tool. I tried everything — changing bulletin boards, hanging art prints, displaying children’s drawings; but having mismatched, bright, primary colors everywhere was just not cutting it.

Early in the school year, I was unable to focus on the environment as much as I would have liked, given the challenges of settling in with a new class of students and getting to know a new team of teachers. However, within a few months we found our rhythm and I was able to focus again on the world around me. That’s when I noticed another SEEC center had used magnetic paint on a large wall to hang art with magnets instead of tape, which caused the wheels to start turning and brought me to my current realization: that I could expand the definition of changing my classroom beyond that of simply rearranging bulletin boards; that I could begin to think of my classroom as a home away from home and put just as much thought and care into it as I do my own home, because, after all, teachers and students spend a lot of time in their classrooms!

Original white walls and harsh lines

A splash of color and softness

Once I realized my classroom’s potential, the possibilities became limitless.
A particularly challenging area of my room, above the changing table, could use some magnet paint, I thought:
“If that area can be magnetized, why not the whole wall?”
“And if I can use magnetic paint — why not colorful, magnetic paint?”
“Why not paint the whole room?”
“And if I can paint the whole room — what other changes, big and small, could I make to turn this classroom into a home?”
Each day at nap time, when the room was quiet and the soft music played, I would pat the kids to sleep and look around at the white walls, dreaming of color and comfort. For people who know me well, this concept is not a novel one: every apartment in which I’ve ever lived has been painted, if the lease allows.
I love having the creative outlet to change a space, but until recently I had never thought of applying it to my classroom.

Before

After

To begin, I reflected on how the space worked, where the kids congregated, and how the placement of furniture influenced traffic patterns. I made several lists of what I liked and what I didn’t like; what I could change and what I couldn’t change; words that would describe my room and words that I would like to describe my room. These lists were extremely helpful in determining how to start the process.

There are a lot of things to consider when it comes to the physical classroom environment, the basics include: color, line, texture, form, and space. These five elements work together to create the physical environment.
Color can evoke certain moods and emotions. We even use this idea in our daily lives with sayings such as “green with envy” and “feeling blue”. Generally, when painting walls, cool colors like green and blue are calming while warm colors like red and orange tend to be stimulating.

Line can also set the emotional mood. Horizontal, vertical, curved, and diagonal lines all evoke different feelings. For example, diagonal lines suggest motion while curved lines relax a room.

Texture, both tactile and visual, engages learners and creates interest.

Form and space relate to how a room is set up. For example, does the placement of shelving units create symmetry and balance?

Thinking about all of these items at once can quickly become overwhelming. I started with color by painting the walls then branched into some of the other elements, such as line, by adding a curved curtain draped along a window, and texture, by replacing plastic toy bins with baskets. Other things started falling into place too; I brought in plants, made slip-covers for brightly colored pillows and bought rugs.

If there is one thing I’ve learned throughout this entire journey it’s that reinventing the classroom is indeed a process. It’s a transformation that doesn’t happen overnight. Plans change and the project must adapt to fit our needs, and, more importantly, those of the children.

I’ve also learned to be vulnerable. Parents, kids, other teachers, and any one who walks into our center will see my classroom “unfinished” and that’s okay. As it turns out, the process is about figuring out what works best and feels most authentic for you and your classroom.

Pondering Play

Posted on March 24, 2014 by shoemakerb

When museum folks think of “play,” the “go to” place that comes to mind is often one of the many amazing children’s museums found across the country. For many, when used together, the words “play” and “museum” conjure images of boisterous children engaged in hands-on learning experiences in an interactive museum play space or exhibit. On the other hand, early childhood educators are inclined to think about play in the context of their classroom. A carefully structured environment supports literacy development in the dramatic play area, pre-math concepts in block building and social emotional growth during “free choice” time. Whether working in a museum setting or classroom environment, educators that work with young children recognize the power of play in developing skills essential to one’s future success in school.

What does “play” look like for young children in a traditional object centered museum setting? Is it possible to help early learners embrace the “free choice learning” aspect of museums in a constructive and meaningful way? In early May, SEEC will launch a new two day professional seminar called, “Play: Engaging Young Learners in Object Rich Environments.” Museum professionals and early childhood educators will collaboratively explore potential intersections between play and traditional object centered museums. The workshop will feature new approaches to museum learning used by SEEC educators as they determine how to best connect children’s emerging interests to museum exploration. This pilot program makes use of the Smithsonian Institution’s collection and enlists the perspective and expertise of participants as workshop content takes shape over the course of the two day Smithsonian based seminar. No doubt you have some questions, considerations, or examples of your own that come to mind as we post these thought provoking questions about play in museums. Please share!

Through SEEC’s flagship seminar, “Learning Through Objects,” we have had an opportunity to present ideas about using objects and museums to build critical thinking skills in young children to hundreds of museum and classroom educators. SEEC’s latest “Play” workshop takes this foundational information to the next level as we challenge ourselves to consider how to support positive learning experiences for young children through the use of play, objects and museums. Participants will consider the role that storytelling and question asking takes in play and museums as we encourage children to become curious explorers, creative thinkers, inquisitive learners and 21^st century problem solvers.

Upcoming Teacher Workshop

Posted on January 21, 2014 by shoemakerb

Well, we have made it to January. That delightful in between month—the month where we leave the stretch of holiday breaks behind and take a deep breath before the chaos of spring begins. Our students are settling back into familiar routines but experiencing the expected adjustments that time away from school brings. As educators, we too are experiencing the adjustment, searching for renewed inspiration in the face of the winter blues, unpredictable weather, and in my case, growing preschoolers. It seems almost daily one of my students leaves early for their five year preschool check-up.

We are also in the period of resolutions: Join the gym. Use your phone less. Sleep more. Build up your savings. Be more creative in the classroom or museum. In the midst of the screaming gym ads and hyper students, come join us for some respite and rejuvenation. SEEC is offering a space to renew your creativity, collaborate with peers, and take some deep breaths. Our premier seminar, Learning Through Objects, is almost upon us (February 27^th & 28^th). This seminar brings together educators from a diverse set of learning environments such as classrooms, museum galleries, and cultural centers. Presented by our staff and representing work from our 25 years of learning with young children in museums, LTO may be the perfect antidote to the winter doldrums.

A LTO alum wrote of her experience, “I walked away not only refreshed and inspired, but also with a variety of ideas for how I can incorporate museums, objects, and artist studies into my classroom teaching. I am looking forward to sharing the lesson plan and field trip ideas I learned with my colleagues and of course to sharing the activities themselves with my students.” Additionally, for those in the DC area, LTO is accredited by the DC Office of the State Superintendent of Education and counts as CEUs. Come be renewed, come be refreshed, and check one or two of your resolutions of the list. We look forward to seeing you.

Full registration info can be found here. Keep that “save money” resolution as well, register before February 14^th for our Early Bird Rate and plug in discount code SEECPD14 for an additional 10% off!

Onwards!

Smithsonian Pre-K Classes

Posted on August 28, 2013 by shoemakerb

Acting out a Renaissance Composition

In our first blog, I talked about what the museum education department does at the Smithsonian Early Enrichment Center. Just to recap, we have two educators who work specifically with our classes here at the lab school. Our director, Betsy Bowers, heads our professional development efforts (more on that later) and my main responsibility is to promote and coordinate our outreach efforts for families who are not enrolled in the school.

Comparing Jackson Pollock paintings

With Labor Day in our sights, I thought it was the perfect time to take a look ahead at what we are doing for our community families. Last year, we started offering preschool courses. These courses took place over a four-week period, meeting Saturday mornings. Each course had a theme (more information) and met for two hours. In the first portion of our morning, we would do some sort of introductory activity. This activity ranged from exploring a discovery box featuring cultural objects to comparing two paintings. Almost always these activities were meant to be done independently, meaning child and caretaker working together separate from the teacher. (These classes are very literally family classes, so caretakers play an important role). After our initial work, we would come together in a circle to discuss what they had done. Our discussion led us to an introduction to the museum visit.

Using hands-on objects to teach in the galleries

After bathroom breaks and the putting on of coats, we head to the museum for what is typically a 20-30 minute visit to one to two objects. During our visits, we use hands-on objects to engage the children in a multi-sensory experience and inquiry to guide the conversation. Museum educators are likely familiar with these approaches of object-based learning and the inquiry method. For educators who are unfamiliar with these approaches, let me suggest SEEC’s line of professional development seminars and/or MOMA’s inquiry course offered through Coursera (just completed it myself, very informative).

Freer Gallery of Art
Shiva Nataraja, ca. 990
Chola Dynasty, India
Bronze
Purchase–Margaret and George Haldeman, and Museum funds F2003.2

After our visit, we head back to the classroom where we wrap up with a final project.While it’s most often an art project, I do not limit myself to that platform. This is extremely helpful for two reasons; first, sometimes it is not developmentally appropriate for children to recreate the art they have just seen and second, sometimes it’s not culturally sensitive to recreate the art either. A good example of the first scenario is when I did a lesson on the Renaissance and I wanted to talk about composition. They were not up for the challenge of creating a masterpiece that depicted, balance, dynamism and fluidity. However, they could connect to these concepts by acting out their own birthday party photo and seeing the results. And when we do our class on Hinduism and visit the Freer’s Shiva Nataraja, we opt to look at videos of Bharatnatyam dance, do a sample of mudras and keep a beat with bells on our ankles. All activities are meant to build upon the concepts introduced through the lesson in a way that is interactive and self-directed.

This year we also offering infant and toddler class, so keep an eye out for future blogs about these audiences. In the meantime, let me know what is working for you with young audiences in your museum!

CREATING COLLECTIONS WITH YOUNG CHILDREN

Posted on June 19, 2013 by shoemakerb

Do you have a collection? What do you collect? If you are leaning toward “no”, think again.

On June 14^th we ran our day-long seminar for professional development, Creating Collections with Young Children. After establishing soap, tea, buttons, and cooking pots are all valid collections we moved on to the Why?

Why do you collect? Is it to preserve a memory of a moment? Is it because youwere inexplicably drawn to an item? Is it out of function? Or something you’ve just done for so long you don’t know anymore? Weather it’s a stack of family photos, a closet of shoes, stickers for scrapbooking, or trinkets from your childhood, they all tell a story.

As humans, collecting is part of our hardwiring. From the days of our hunter-gather ancestors, we still use that natural instinct to process, categorize, and understand our world. The more exposure we have to a concept, the wider our knowledge becomes on that topic. Expanding our mind’s collection of “tree” allows for flexible thinking; it is no longer only a triangle on top of a stick but can flow from a sapling to redwood to a sculpture to a print.

We’ve all discovered the end-of-the-day pockets full of treasures on our toddlers, so we know that the drive to collect it there. They may not be able to explain to us why, but these items chronicle their story.

So how can we use this universal predilection to enhance their learning? In our seminar we explored a collection on chopsticks, containing prints, text, advertisements, and plenty of hands-on time with the object. We discovered how important is to have a varied collection that presents one idea through multiple entry points. With this basic concept you can use collections to introduce a topic, explore a topic, or expand a topic.

Talking about patterns? Give your students collections of wallpaper and fabric swatches. Throw in Matisse prints and shells to see how they come alive in art or nature.

Doing a unit on birds? Sort a collection of feathers, or create a collection of nest materials. Add in Audubon prints and binoculars and magnifying glasses.

Interested in the food? Bring in a collection of labels to sort. Top it off with Warhol prints and various containers.

These are just a few way that our wonderfully willing audience of teachers and museum educators brought collections to life. How can you bring collections into your classroom?