Smithsonian Pre-K Classes

Renaissance Composition 2

Acting out a Renaissance Composition

In our first blog, I talked about what the museum education department does at the Smithsonian Early Enrichment Center. Just to recap, we have two educators who work specifically with our classes here at the lab school. Our director, Betsy Bowers, heads our professional development efforts (more on that later) and my main responsibility is to promote and coordinate our outreach efforts for families who are not enrolled in the school.

Comparing Jackson Pollock paintings

Comparing Jackson Pollock paintings

With Labor Day in our sights, I thought it was the perfect time to take a look ahead at what we are doing for our community families. Last year, we started offering preschool courses. These courses took place over a four-week period, meeting Saturday mornings. Each course had a theme (more information) and met for two hours. In the first portion of our morning, we would do some sort of introductory activity. This activity ranged from exploring a discovery box featuring cultural objects to comparing two paintings. Almost always these activities were meant to be done independently, meaning child and caretaker working together separate from the teacher. (These classes are very literally family classes, so caretakers play an important role). After our initial work, we would come together in a circle to discuss what they had done. Our discussion led us to an introduction to the museum visit.  

Cary teaching

Using hands-on objects to teach in the galleries

After bathroom breaks and the putting on of coats, we head to the museum for what is typically a 20-30 minute visit to one to two objects. During our visits, we use hands-on objects to engage the children in a multi-sensory experience and inquiry to guide the conversation. Museum educators are likely familiar with these approaches of object-based learning and the inquiry method. For educators who are unfamiliar with these approaches, let me suggest SEEC’s line of professional development seminars and/or MOMA’s inquiry course offered through Coursera (just completed it myself, very informative).

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Freer Gallery of Art
Shiva Nataraja, ca. 990
Chola Dynasty, India
Bronze
Purchase–Margaret and George Haldeman, and Museum funds F2003.2

After our visit, we head back to the classroom where we wrap up with a final project.While it’s most often an art project, I do not limit myself to that platform. This is extremely helpful for two reasons; first, sometimes it is not developmentally appropriate for children to recreate the art they have just seen and second, sometimes it’s not culturally sensitive to recreate the art either. A good example of the first scenario is when I did a lesson on the Renaissance and I wanted to talk about composition. They were not up for the challenge of creating a masterpiece that depicted, balance, dynamism and fluidity. However, they could connect to these concepts by acting out their own birthday party photo and seeing the results. And when we do our class on Hinduism and visit the Freer’s Shiva Nataraja, we opt to look at videos of Bharatnatyam dance, do a sample of mudras and keep a beat with bells on our ankles. All activities are meant to build upon the concepts introduced through the lesson in a way that is interactive and self-directed.

This year we also offering infant and toddler class, so keep an eye out for future blogs about these audiences. In the meantime, let me know what is working for you with young audiences in your museum!

CREATING COLLECTIONS WITH YOUNG CHILDREN

Do you have a collection? What do you collect? If you are leaning toward “no”, think again.

On June 14th we ran our day-long seminar for professional development, Creating Collections with Young Children. After establishing soap, tea, buttons, and cooking pots are all valid collections we moved on to the Why?

Why do you collect?   Is it to preserve a memory of a moment? Is it because youwere inexplicably drawn to an item? Is it out of function? Or something you’ve just done for so long you don’t know anymore?   Weather it’s a stack of family photos, a closet of shoes, stickers for scrapbooking, or trinkets from your childhood, they all tell a story.

As humans, collecting is part of our hardwiring. From the days of our hunter-gather ancestors, we still use that natural instinct to process, categorize, and understand our world. The more exposure we have to a concept, the wider our knowledge becomes on that topic. Expanding our mind’s collection of “tree” allows for flexible thinking; it is no longer only a triangle on top of a stick but can flow from a sapling to redwood to a sculpture to a print.

We’ve all discovered the end-of-the-day pockets full of treasures on our toddlers, so we know that the drive to collect it there. They may not be able to explain to us why, but these items chronicle their story.

So how can we use this universal predilection to enhance their learning?   In our seminar we explored a collection on chopsticks, containing prints, text, advertisements, and plenty of hands-on time with the object. We discovered how important is to have a varied collection that presents one idea through multiple entry points. With this basic concept you can use collections to introduce a topic, explore a topic, or expand a topic.

Matisse chat

  • Talking about patterns? Give your students collections of wallpaper and fabric swatches. Throw in Matisse prints and shells to see how they come alive in art or nature.
  • Doing a unit on birds? Sort a collection of feathers, or create a collection of nest materials. Add in Audubon prints and binoculars and magnifying glasses.
  • Interested in the food? Bring in a collection of labels to sort. Top it off with Warhol prints and various containers.

These are just a few way that our wonderfully willing audience of teachers and museum educators brought collections to life. How can you bring collections into your classroom?

Smithsonian Early Enrichment Center – Museum Education

SEEC_Castle

The Smithsonian Early Enrichment Center or SEEC, as it is commonly called, was founded in 1988. It is currently housed in two locations at the National Museum of Natural History and another, at the National Museum of American History.  The school serves children ages 3 months – 6 years and boasts a staff of early childhood educators, art educators, a music educator, a resident scientist and a department of 4 museum educators.

It might seem odd for an early learning center to have a museum education department, but it makes a lot of sense when you consider all that museums have to offer young audiences.   And because of SEEC’s location on the National Mall, it is able to integrate the museum into the fabric of our students’ daily experiences.  Children are naturally curious and museums offer an ideal setting for them to explore, investigate and learn.  Encountering an object helps a child solidify their understanding of a concept and it sparks their imagination.  Whether it’s a trip to the National Zoo to see the snakes, a visit to the Castle to explore architecture or a stop at the Hirshhorn to see examples of modern art, the children are exposed to a variety of disciplines and ideas.

Sara_Vishnu1

Pre-K takes a trip to Arthur M. Sackler Gallery to see a statue of Vishnu

So, what do museum educators do here at SEEC?

  • We educate students within SEEC and the larger community – using methods unique to young learners.
  • We are a conduit between our classroom educators and the museums.
  • We maintain and offer resources to support the classroom in the form of hands-on objects, prints and books
  • We provide high quality research and information on objects within the collections and assist our classroom educators in framing that information in a developmentally appropriate way.
  • We plan special programs within SEEC and for museums across the country.
  • We have a unique understanding of museums and early childhood development and combine those perspectives to offer training to early childhood and museum educators.
  • We believe that young children can benefit from museums and we hope to encourage museum professionals to embrace them as an audience.  Similarly, we hope to encourage early childhood educators to see the museum as an informal learning environment for their students.

    Sara_Vishnu2

    Museum Ed leads Pre-K circle on Vishnu

Our hope is that our blog will open a larger dialogue about early learning and museums.  Please join us and share your thoughts!