This week’s teacher feature highlights a lesson from one of our two year old classrooms. Teachers Javacia Finney, Stephanie Lopez, and Shawna Williams brought their class to the National Gallery of Art’s newly renovated East Building. They used works of art made by Alexander Calder to teach about his life, techniques, and artwork. Below, you can find photos from the lesson and a reflection from Javacia, Stephanie, and Shawna.


Before visiting the National Gallery of Art, Javacia laid out all the artwork that the class had recently made. Since the class had been learning about artists, there was a plethora of work. Javacia led a discussion where the children talked about what they remembered about each artist and work of art.

Rather than dismissing the group as a whole, she called on each child to point to a specific artwork before leaving the circle. This game allowed her to ensure that each child had the opportunity to be recognized as an individual and helped to smooth the transition.

Once at the National Gallery of Art, the class sat underneath Untitled, 1976, by Alexander Calder, a giant mobile that hangs from the atrium ceiling. They made a circle and were encouraged to look up at the mobile as Javacia read the book Sandy’s Circus by Tanya Lee Stone.

As Javacia read, the children were able to take advantage of the amazing space. They continually looked up at the ceiling and pointed to the moving mobile. The class was so captivated by Untitled that Javacia said in her reflection that she believes that this moment will leave lasting memories for her class.

Javacia passed out materials for the class to explore. The materials included pipe cleaners and metal wire. The class was encouraged to manipulate and explore the materials while looking up at Calder’s mobile. Javacia explained that back in the classroom, the children would have the opportunity to use even more materials and supplies such as scissors and glue to create their own mobiles.

To see more examples of Calder’s work, the class went upstairs to the Calder Tower, which houses the largest collection of Calder art. The class walked around the room and described what they saw. Some children were particularly drawn to the sculptures of animals. Others seemed to gravitate towards the mobiles which produced shadows that moved across the space.

After visiting the National Gallery of Art, the class worked on making their own art inspired by Calder, which was later displayed in the class’ very own art exhibition. Manipulating the metal wire provided the children with the opportunity to work their fine motor skills in a new way.
A reflection from Javacia, Stephanie, and Shawna:
What were your topics of exploration?
For the past few weeks we have been learning about different artists. Some of the artists in our unit of study included Henri Matisse, Roy Lichtenstein, Claude Monet, Vincent van Gogh, and Yayoi Kusama. On this particular day, we were learning about Alexander Calder.
How did this topic emerge?
We noticed that our students were interested in the sculptures that we saw while walking on the National Mall and in the sculpture gardens. We thought it would be a great idea to teach them about the artist who created these wonderful works of art.
Why and how did you choose the visit?
I chose the National Gallery of Art because I wanted to make use of Alexander Calder’s amazing 76-foot-long mobile that hangs from the ceiling of the East Building. The National Gallery has other Calder works, including an entire room in its tower that is completely dedicated to Alexander Calder. In this room, my class was able to see sculptures and mobiles from his entire career. To utilize both spaces, we had circle time under the large mobile in the lobby and then went upstairs to the tower to view more of his work.
What were your learning objectives?
- Learn about the life and work of the artist.
- Observe and speculate about the artistic intentions in specific pieces of art.
- Learn about various processes and techniques used to produce works of art.
- Use a variety of materials to make their own reproductions of the art.
During this specific lesson I read Sandy’s Circus by Tanya Lee Stone. This book describes the story of Calder’s youth and his making of wire circus figurines. After reading Sandy’s Circus, I gave out craft wire, pipe cleaners, and other materials. These materials encouraged group discussion, engaged the senses, and strengthened their fine motor skills. I then explained that the class would have the opportunity to create their own mobiles and sculptures back in the classroom. The children took full advantage of their opportunity to create and craft with the wire, which allowed the children to create without boundaries.
How did you prepare yourself for this lesson? Did you know about this topic beforehand or did you have to research?
To prepare for this lesson, I read several different books about Alexander Calder. The two books that I found most useful were Alexander Calder by Mike Venezia and Sandy’s Circus. I also used the internet as a resource. The National Gallery of Art has a great website and I relied on it heavily. After I had enough information about him, I was sure to visit the works at the National Gallery of Art and looked at all of his sculptures that are outside on the National Mall.
What was successful in terms of your preparation and logistics?
I think sitting and having our circle time underneath the large 76-foot long Alexander Calder mobile was definitely helpful. As I was reading and talking about Calder’s mobiles, I saw the children looking up in amazement. I feel that was a powerful experience that will have a lasting memory.
What recommendations would you have for another teacher trying out this lesson?
For another teacher trying out this lesson, I would let them know that an alternative place to have a circle is on the rooftop off of the Calder tower. This might be helpful if the museum is particularly crowded. My class was lucky in that we were able to sit under the Calder mobile in the lobby with minimal distractions. But since that mobile is in the lobby, it just takes one large group to make the space too loud or distracting for a class of two year olds. I often like to have backup locations for circles in my mind. This helps ensure that I can be flexible and my class can have the best lesson possible.
How did you follow up this lesson? What topics were explored?
Alexander Calder was the last artist we learned about. We had previously done similar in-depth studies of artists and had given the class the opportunity to create their own work inspired by the artists. For example, Claude Monet inspired lily-pond paintings, Vincent Van Gogh inspired Starry night paintings, Roy Lichtenstein inspired pop art, Yayoi Kusama inspired pumpkins and a polka-dot wall, and Henri Matisse inspired cut-outs. After the children were finished with all of their projects, we transformed our classroom into a museum by hanging up all of their artwork. We ended this artist unit of study by having a special art exhibition and invited family members to come view their artwork.
To learn more about how this class studied Kusama, Van Gogh, Lichenstein, Monet, and Matisse, come back to read their round up on artists.











On their walk to the museum, the children pretended that their line formation was a boat. Jessie reviewed the parts of a boat by asking the children to raise their hand if they were they were on the starboard, port, bow, or stern.
Once they got to their destination, the
When they found the painting,
Jessie shared that she was on a crew team when she was in college, and her job was that of a coxswain, the teammate who helps to steer the boat by shouting out directions and controlling the rudder. Jessie made a pretend rudder using yarn, cardboard and a basket, and she explained how each part was used to steer the boat.
Then it was time to practice rowing! Of course, Jessie couldn’t bring a boat into the gallery, but she brought items from the classroom that represented the parts of the crew boat to simulate the experience of rowing. She took out the items one at a time and explained them: The mat was to represent the water (and to ensure that the floor of the gallery would not be damaged). A scooter acted as the seat in a crew boat that is on wheels so it can smoothly glide back as the teammate rows. Next came blocks with shoes attached, which simulated the footplate – where crew members put their feet so that they are secure in the boat as they row. Last came the oar, which Jessie had made out of cardboard. She took a turn on their constructed boat showing how a crew member rows the boat highlighting the importance of using your brain, muscles, balance, and teamwork.
Then some of the children got a turn! They put their feet in the boat shoes, and practiced sliding back and forth.
They used their muscles to pull the oar back as they pushed with their feet. Through this simulation, the children were able to apply their observations of the painting to something concrete, which deepened their understanding of the concept and sparked excitement for the topic. Due to time, only two children tried the boat in the gallery, but Jessie assured the class that they would all have a turn that afternoon back in the classroom.
To end their circle, Jessie read a page from
To conclude the lesson the children shared observations and asked lingering questions. They wondered where the life jackets were on the crew members, and noticed other paintings around the gallery of boats. They were curious to know more about these paintings, and Will honored their inquiries by reading the labels out loud, and sharing his own observations.
That afternoon, the children continued to explore rowing and crew by playing with the objects Jessie had created. They enacted the painting they had seen that morning by having two crew members on the boat, and they added a coxswain at the front who helped steer the boat with instructions.
They also cheered on the US crew team team as they excitedly watched crew races from the Olympics on Jessie’s laptop.
possible, add images/drawings of the ingredients needed. Give your child a chance to “write” their own version of the recipe on a separate sheet. Going through this process helps your child build on their understanding of sequencing. Use “first….then…” phrases.


To start the day, Katherine sat down with the class during snack to have an informal discussion. She started the discussion by asking, “Who is not in class today?” The class listed a couple of children who had not yet arrived and then turned their attention to the fact that one of their teachers, Lauren, was not there. Katherine explained that Lauren was in Asia on a trip and pulled out an atlas for the class to look at and learn more about Asia. The class was able to look at maps and pictures of the natural wonders in Asia.
After snack, the toddler class sat down for a more formal learning experience. To start the circle, Katherine sang hello to each child and gave each child the opportunity to talk to the group about something that they were wearing that day.
During circle, the toddler class used technology and books to look at examples of natural wonders. The class looked at images of rivers, mountains, and streams. After looking at the images, the toddler teachers explained that the class was going to visit the National Gallery of Art and look for paintings of some of these natural wonders.
At the National Gallery of Art the class stopped to look at
As the teachers walked through the galleries, they were able to have more individualized discussions about the natural wonders depicted in the paintings. The teachers followed the children’s interests by walking closer to the paintings that the children pointed to. Katherine and Emily used a stream of consciousness technique to describe all the things they saw in the paintings, which introduced many new words to the toddlers.
After exiting the National Gallery of Art, the class found a shady spot by a fountain to read the book
Reading the book outside allowed the children more freedom in their movements. Some children even chose to stand up to get a closer look at the book. The class thoroughly enjoyed experiencing the around-the-world adventure.









The class began their morning by walking to the National Gallery of Art. Along the way they spotted cherry blossom blooms that were just starting to emerge around the city.
Once inside the museum, the class found Robert Rauschenberg’s
After reading the book, Krystiana asked the children to look carefully at the artwork, and make observations about what they saw. The children sat for a minute silently looking and then began sharing observations. Krystiana went down the line and asked each child to share something they observed. One child noticed an area on the painting that looked like lightening, another observed that there might be tissue paper on the artwork because there were lines that looked wrinkled. The class also noticed green blobs, a map, a crane, photos, and a big fish.
Krystiana congratulated the class on their concentration and thoughtful observations. She explained that the fish is a carp, which is seen often during a holiday in Japan – Children’s Day or Kodomo No Hi, which celebrates how wonderful children are. She read a section of
Next, Krystiana explained that the big carp on the artwork was in fact a big carp kite, and she brought out a carp kite that she had made herself. She asked the children why they thought carp might be important to this holiday. The children had lots of ideas including, “they have scales, and because you catch them and it’s yummy”, and “because it’s [Japan] is an island and there’s lots of fish around”. Krystiana explained that when carp travel in the water, they go up stream and it takes a lot of power and speed to swim against the flowing water. She said that the carp have to have lots of perseverance to keep trying even when it’s hard. She went on to say that these traits (bravery, strength, and perseverance) are what families want their children to have, which is why carp are a symbol of Kodomo No Hi. The children discussed and agreed that their families wanted them to have these traits. They also discussed what else their families wanted for them.
Back in the classroom, Krystiana set out the books that she had brought to the museum and encouraged the children to do their own research to learn more. Many of the children sat with the books, looking through them and asking questions of their peers and teachers.
A few weeks later, the class revisited their kites, and took them out to fly on a particularly windy day!



Be sure to stop back by in the winter as National Gallery of Art turns its fountain into an ice rink during cold months!



On a recent trip to the Postal Museum, I was reacquainted with how perfect the National Postal Museum is for young children. Throughout the experience, there were two things that stuck out to me – hands-on objects and imaginative experiences.
Within this small space there are a lot of opportunities for your child. The letter sorting is a fun way to spy a letter – V is for Virginia or D for DC. Caretakers can lift up children to allow little hands to practice placing the mail into the slots. It is also a great way for a few young children to build their team working skills. You might want to play a game of passing, sorting, and delivering envelopes from the train. You can even watch this
Though the bags in the exhibit are secured, a clever caretaker might bring a few small bags and give the children a chance to carry the bags or even compare weight — all of the sudden your visit into a STEM lesson! Those letter bags are also a great place to stop and do a simple sorting activity. You can sort blocks by colors or shapes to explain how the bags were used to sort mail by location. This a simple way to introduce some math too!
Consider using the train as an anchor object to compare with other forms of transportation in the hall. With some Velcro and photos, you can create a visual timeline showing the progression of a carriage, train, plane, and truck. You can actually get inside the truck and steer – they will love it. Of course, you can also introduce your young child to the concept of mail and how it moves from one place to another. Its a great opportunity to have them help you compose a postcard to a loved one and then send it off.

