Word Expeditions

PrintIn the fall of 2015, the Friends of the National Zoo, National Museum of African American History and Culture, National Air and Space Museum, National Museum of American History, National Museum of Natural History, Smithsonian Associates’ Discovery Theater, and the Smithsonian Early Enrichment Center, together with the DC Promise Neighborhood Initiative (DCPNI) were awarded a two-year grant through Grow Up Great, PNC’s initiative focused on early childhood education, to launch Word Expeditions. The grant’s objective is to build vocabulary in preschool students from the Kenilworth-Parkside neighborhood in Northeast DC. DCPNI works exclusively with this neighborhood supporting all members of the Kenilworth-Parkside and describes its mission as “improving the quality of their own lives and inspiring positive change in their neighborhood.”  The group has a strong foothold with families of young children and so it seemed natural to integrate Word Expeditions into their already existing Take and Play structure. Once a month, Smithsonian representatives visit Neval Thomas Elementary School during which time, families participate in activities that teach about the Institution’s collections, build vocabulary, and support a child’s development. The evening concludes with a meal and families take home a kit from DCPNI outlining fun and simple ways to incorporate learning and vocabulary skills at home.

DSCF1330A few weeks later, families are invited to come to the museum that co-hosted the
Take and Play. During their visit, families engage in similarly fun activities that reiterate the vocabulary and theme from the Take and Play. In addition to the literacy component, the Smithsonian wants to create a welcoming experience that will make families feel at-home and inspire them to visit again. We also hope that through these programs, they will begin to see how museums can be used as a place to learn and explore together as a family.

As part of the grant, SEEC was tasked with creating a unique map featuring the Smithsonian in Washington, DC. The map displays the museums on and off the Mall and includes the Smithsonian Gardens and Discovery Theater. Each one is represented by an object, which isWord_Expeditions_Map Word_Expeditions_Map2accompanied by what I like to call, conversation starters. These conversation starters include key vocabulary terms that help families define some big ideas they can use to discuss the object. They also pose open-ended questions and suggest easy ways to engage with the object and use the vocabulary in ways that will help children understand and recall the word’s meaning.  For example, The Smithsonian Gardens description asks families to look closely at an elm tree and find its parts. The children will walk away with a concrete understanding of terms like roots, trunk and bark.  The National Portrait Gallery’s entry asks families to imagine what they would see, hear and taste if they jumped into the portrait of George Washington Carver and suggest that parents use the term five senses and, of course, portrait.

These conversation starters also motivate families to stop and take a look – conveying the importance of observation and careful looking. The Hirshhorn Museum and Sculpture Garden encourages families to walk around Juan Muñoz’ Last Conversation Piece and try to pose like the figures. The description features the words pose and conversation and also asks families to imagine what their conversation is about. Using a concrete analogy to the vocabulary is so important for young learners.

To keep families returning, we offer them four free tickets to Discovery Theater after visiting five museums, and a free book after visiting ten. Perhaps more important to the map’s success is the presence of Ariel Gory, Education Specialist for Early Learning, from the National Museum of American History. She speaks directly to families about the map. Her presence has been important in communicating the purpose of the map, encouraging families to use it, and creating a sense of community. She shares her experiences:

DCPNI NASM Photo1 (002)I find that dinner time at the Take and Play program provides the perfect opportunity for me to get to know families on a deeper level as I talk with them about the maps and their museum visits. Recently, I engaged in a conversation with two families who have become “regulars” at the workshops and museum visits.  When I asked what museums the families had visited lately, the mothers immediately began to list all of the museum trips they had been on since the program’s inception in the fall and what’s more, they described their visits in detail – recalling the vocabulary that was introduced and the activities in which they participated. It was exciting to see their enthusiasm for the program and it was clear that the map had helped foster and grow their interest in museums.

 Getting to see the map in action is one of the most uplifting aspects of this program. During a spring visit to the National Museum of American History, I noticed one mother rustling through her backpack before pulling out a well-worn map. “I can’t forget to get this signed!” she said. As I took a closer look at the map, I noticed that she had a signature for the National Air and Space Museum. I asked her when she had visited and she responded that they had gone the day before because her children had the day off from school. She noted that even though they weren’t in school that day, she still wanted them to “learn something.” Seeing that this mom had used the map to independently seek out a museum to expand her children’s learning shows the importance of programs like this.

So often we realize that local families are unfamiliar with the Smithsonian or feel that it is a place that they don’t belong. We hope that the map and the Word Expeditions program not only help to build young children’s vocabulary, but also encourage families to explore the opportunities for wonder and learning located in their backyards.

Supported by:
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In cooperation with:

Friends of the National Zoo
Smithsonian Early Enrichment Center
National Air and Space Museum
National Museum of American History
National Museum of Natural History
National Museum of African American History and Culture
Smithsonian Associates/Discovery Theater
DC Promise Neighborhood Initiative

Teacher Feature: Three Year Old Classroom Explores Pirates

It’s Teacher Feature Thursday!

This week we are featuring Dana Brightful and Erin Pruckno in the three year old Wallaby classroom.  Dana and Erin were inspired by the children’s varied interests including mermaids, pirates, dogs, shadows, and fairies, and decided to incorporate them all together in an exploration of Peter Pan.  I joined their class for a visit to the National Gallery of Art where they learned about pirates. Below you will find a reflection from Dana and Erin, and images from their visit.

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What were your topics of exploration? Why did you choose them? Where did they come from?

Our topic this particular day was pirates: who they are and what they do in the world. I chose this based on our overarching theme of Peter Pan and the Pirates that are in the story. I wanted to introduce the children to what real pirates do as opposed to what they see on familiar television shows like Jake and the Neverland Pirates. It also was a way to reconnect and build upon previously discussed concepts. Pirates take things that do not belong to them which, according to our lessons on the Golden Rule back in December 2015, is not the right thing to do since we have to treat others the way we want to be treated. The lesson gave me an opportunity to touch on real pirates and respecting others.

Why and how did you choose the visit?

I chose The Shipwreck by Claude Joseph Vernet because it lent itself to the concept of pirates taking over another ship. Since I already knew I wanted to continue practicing visible thinking with the class, I wanted to not only use a painting closely related to pirates, but one that had lots of details for the children to look at and seriously think about what they saw, what they thought and what they wondered about the painting. It’s always amazing how many different thoughts come from one painting when there are many details for the children to pay attention to during the routine. The National Gallery of Art was my first choice of where to find a painting and their site (NGA.gov) is user friendly! After typing in ships and filtering the results to show only paintings on view, I not only found The Shipwreck, but it gave a map of where to find it in the museum, making it easier to find the day of my lesson.

What were your learning objectives? (What did you want your children to take away from the lesson?)

There were three learning objectives for this particular lesson: (1) discover what pirates are and what they do (2) practice their visible thinking skills by utilizing a thinking routine called See, Think, Wonder (Visible Thinking) while looking at The Shipwreck by Claude Joseph Vernet and (3) develop their gross motor, social emotional and cognitive skills by playing Capture the Flag.

What was most successful about your lesson?

The most successful part of my lesson was playing Capture the Flag on the National Mall. The children, already knowing the boundaries of where to keep their bodies on the large outdoor Mall space, all participated. They understood that they needed to capture the flag by catching the teacher that had it, and once captured, to ‘hoist’ up the pirate flag. They used their cognitive skills to stop and assess the best strategy to capture the flag. Instead of running in circles directly behind the teacher, one child stood back and positioned himself to capture the teacher from the front end.

How did the lesson reach your objectives to expand the topic?

By utilizing the thinking routine and documenting their thoughts, I was able to see a thought pattern of what ideas or thoughts needed to be explored in further details in the coming days. For the questions that could be answered, I documented it and planned to answer those questions on the following teaching day.

What was successful in terms of your preparation and logistics?

With preparations, I prepared to have 2 charts to document the children’s thoughts for the thinking routine, had a book to begin our museum circle, a toy boat, small flags, a large flag and a large Pirate flag in a museum bag the week before my lesson. As mentioned above, for logistics, I was able to see on NGA’s website the exact gallery for the painting and knew exactly what part of the mall we would play our game afterwards.

What could you have done differently to better achieve your objectives and expand the topic? 

I could have opted to not play Capture the Flag and instead answer their questions after our thinking routine, but I chose not to, simply because getting out of a space where the children had to be quiet, calm and still was more important at the time. Often I try to plan a lesson that allows me to easily assess where the children are cognitively, which requires them to be focused for long periods of time. So I often try to balance that out with a planned gross motor activity before or after the lesson, which is why I chose not to expand on their questions over the game.

What was challenging regarding logistics?

The only challenge was finding the gallery the day of since it was behind another gallery. This was one of the more easy lessons in terms of logistics since NGA has ample space and it’s easy to find the gallery you want to visit.

What recommendations would you have for another teacher trying out this lesson?

The best piece of advice I can offer is to prepare a chart for the thinking routine  See, Think, Wonder beforehand and do the routine in small groups. It’s a lengthy routine that requires a good amount of wait time for each child’s response. If your classroom has a lot of children that require a lot of gross motor activities, play Capture the Flag first then do the thinking routine if your schedule allows.

Here are a few images from their exploration on pirates:

IMG_1568The Wallaby team noticed an interest in pirates among their students, so they thought exploring pirates during their unit on Peter Pan fit perfectly.  The class went to the National Gallery of Art to find The Shipwreck by Claude Joseph Vernet.
IMG_1587Dana began by reading Sloop John B: A Pirate’s Tale by Alan Jardine to get the children in a piratey mood.  After the story she pointed out the ship’s flag in the painting and brought out many small flags for the class to see.  She explained that flags let people know where a ship is from, and the first thing pirates do when they capture a ship is take down the ship’s flag and hoist up their own.  She asked the students, “is that a nice thing to do?”, to which they all replied, “NO!”  The kiddos said that pirates might take other things like nap items, food, water bottles or money.  IMG_1593 - CopyNext, the class did a “See, Think, Wonder” exercise to practice careful looking of the painting.  (This is a visible thinking routine from Project Zero, and more information can be found here.)  Dana split the class into two groups and had clipboards ready to go with a See, Think, Wonder template to easily record the children’s statements.  IMG_1603IMG_1602First Dana and Erin asked each child in their circle what they saw in the painting and recorded what they said.  Next they went around the circle again and asked each child what they thought about what they saw.  Lastly, they asked each child what they wondered about the painting.  This gave the children time to observe and think about the painting, and also gave them a turn to talk frequently, keeping them engaged in the activity. 
IMG_1605 - CopyIMG_1608Next, Dana pretended to be a pirate and looked through her telescope (really a paper towel roll), and spotted a ship in the distance.  She said she was going to sail up to the ship, get on board, take down the ship’s flag, and put up her own pirate flag.  The class agreed that if they saw a pirate flag on a ship that they would sail away from it!IMG_1611To end their lesson on pirates they went onto the National Mall to play a game of Capture the Flag.  First the children practiced their mean pirate faces and saying, “Arrrr matey!” Untitled.png
Dana gave one child the pirate flag and made sure it was tucked in tight so that it wouldn’t fly away while they were running.IMG_1627Then it was time to RUN!  They chased Dana’s “ship” as she sailed with her flag. IMG_1620When they caught her they excitedly took down the flag and hoisted up their pirate flag!

During their week on pirates the children learned about flags as a way of communication, and boats. Check out our Facebook, Twitter, Instagram, and Pinterest for more ideas from their lesson and their unit on Peter Pan! See you in two weeks with our next Teacher Feature!

Teacher Feature: Toddler Classroom Explores Trains

It’s Teacher Feature Thursday!

This week we are featuring toddler teachers Meg McDonald, Laura Bonilla, and Jessica Fiveson. These teachers began a unit on transportation when they noticed their students were fascinated with anything and everything in motion. During this lesson, the teachers focused on one mode of transportation: trains! Many toddlers had seen trains before, both above ground and underground Metro trains. During this playful lesson, students were able to explore a real train at the National Museum of American History. Below you will find a reflection from Meg, Laura, and Jessica, along with some photos from their lesson.

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What were your topics of exploration? Why did you choose them? Where did they come from?

We explored trains in this lesson. We had been learning about transportation and our kids showed a big interest in trains.

Why and how did you choose the visit?

We chose to see the trains in the Transportation Hall at the American History Museum so the children could see real trains up close. We also liked that we were able to hear train sounds while we were in the exhibit.

What were your learning objectives? (What did you want your children to take away from the lesson?)

Our goals were for the children to observe the size and different parts of the train, and understand that there are different types of trains. We also wanted the children to learn how trains help us by transporting people and products.

What was most successful about your lesson? How did the lesson reach your objectives to expand the topic? What was successful in terms of your preparation and logistics?

The kids had a great time and showed so much interest in exploring the trains. They had fun wearing the engineer hats and bandanas and reading the story Freight Train.

What could you have done differently to better achieve your objectives and expand the topic? What was challenging regarding logistics?  What recommendations would you have for another teacher trying out this lesson?

We didn’t experience any challenges with this lesson, but there potentially could have been challenges with the train sounds in the exhibit being too loud, or with the children being able to stay engaged for so long. I would recommend that educators take their children to see a moving train (at the Metro or other train station) to give their children multiple exposures.

Here are some photos from their lesson:

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The toddlers began their lesson with a little dramatic play. In the classroom, they looked at some photos of trains, and spent some time playing “conductor.” Engaging in pretend play and role playing is an important developmental milestone for older toddlers, and helps children grow cognitively and emotionally.

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When the class was suited up and ready to depart, they headed for the National Museum of American History (while walking on hand-holding “trains”)!

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The class headed straight toward the exhibit America on the Move, which includes many examples of trains of all kinds.

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The teachers had prepared a train ticket for each child, and the toddlers practiced taking turns to have their ticket stamped.

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Soon the toddlers were ready to board! The class spent a few minutes walking around and carefully looking at the Southern Railway’s 1401 train. They then found a quiet corner to sit right by the engine.

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Meg led her toddlers in some inquiry-based discussion, asking open-ended questions such as: “What do you think this train would sound like?” “If you were going to get on a train, where would you go?” The kiddos used their voices to make train sounds and thought about where they might take a train ride.

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Meg read the book Freight Train by Donald Crews, and her toddlers paid close attention to the different types of cars, pointing out the different colors and counting how many were on each page.

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The class finished up their lesson by taking a peek inside of the train and pointing out the conductors and the parts of the engine room.

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These toddler teachers incorporated play, exploration, and inquiry in this lesson to create a meaningful experience for their kiddos. The class spent over a week learning about trains and rounded out their transportation unit by learning about other things with wheels, including cars and construction equipment. Check out our Facebook, Twitter, Instagram, and Pinterest for more ideas from their unit on transportation! See you in two weeks with our next Teacher Feature!

 

Teacher Feature: Three Year Old Classroom Explores Land, Water, and Air

It’s Teacher Feature Thursday!

This week we are featuring Katie Heimsath and Tina Brimo in the three year old Koala classroom.  The class had just ended a unit on Space, but Katie and Tina noticed that the children were asking lots of questions about the Earth, so they wanted to spend some time focusing on the Earth’s ecosystems, creatures, land forms and conservation.  I joined their class for one of their first lessons focused on the Earth. Below you will find a reflection from Katie and Tina, along with images from the lesson.

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What were your topics of exploration? Why did you choose them? Where did they come from?

Our class was wrapping up a long unit on Space and we thought it would be a great idea to take a closer look at Earth.  It was a pretty natural transition between units.  Our kids were eager to compare Earth to other planets in our solar system that they had recently learned about.  We wanted to start our study of Earth with some basic ideas, one being that our planet is made up of a few things: land, water, and air.

Why and how did you choose the visit?

We chose to visit the National Gallery of Art to spend some time in front of their huge landscape paintings.  The one we chose, Lake Lucerne by Albert Bierstadt, is extremely visually appealing and had all the elements we were discussing in the lesson.

What were your learning objectives? (What did you want your children to take away from the lesson?

Since we were starting a new unit, our main objective was to form a foundation for the class to continue to build on.  The end goal of this particular lesson was to convey that Earth is made of some of the same things as other planets, but the way they are combined makes it possible for us to live here.  This lesson was also broad enough for us to gauge the children’s interests and think of ways we could further explore Earth throughout the unit.

What was most successful about your lesson?  How did the lesson reach your objectives to expand the topic?  What was successful in terms of your preparation and logistics?

Our class was so excited to apply what they learned about other planets’ atmospheres and surfaces that the main ideas of the lesson flowed very smoothly and naturally. We didn’t really struggle to make connections with the topics.  We planned several activities that were short and sweet, which included lots of movement, turn-taking, and encouraged the children to share and apply the knowledge they already had about Earth.

The gallery we went to is large and has plenty of room for us to sit comfortably and have a lesson. We were careful to go earlier in the morning so there would be less people visiting the museum; doing this ensured that we didn’t feel rushed or in anyone’s way.

This gallery is also full of other landscape paintings to reinforce the topics we were covering. Later in the week we talked about land forms and bodies of water, which our class was quick to recognize in our later visits to NGA.

What could you have done differently to better achieve your objectives and expand the topic?  What was challenging regarding logistics?  What recommendations would you have for another teacher trying out this lesson?

All in all, the lesson went very smoothly.  After taking turns with the sorting game, our kiddos were feeling a little restless and were having a hard time staying still and respectfully quiet.  We had initially planned to read Earth Dance by Joanne Ryder in the gallery, but attention spans were short.  We made a last minute decision to read the book outside on our playground.  As we left the museum, more inspiration struck, and we made our way over to the NGA Sculpture Garden to read the story there instead.  Fortunately the weather was nice, and there was plenty of space for us to incorporate movement to the book.

Here are a few images from their lesson on Land, Water, Air:

IMG_1393 The Koalas visited the National Gallery of Art to begin their exploration of Earth, specifically what elements it is made of.IMG_1400They found Lake Lucerne by Albert Bierstadt, and sat down for their museum circle. Katie began by explaining that the Earth is made up of land, water, and air, each of which is depicted in Lake Lucerne.  She asked the class to observe the landscape and find something in the land, in the water, and in the air.  The children noticed animals, trees, people, flowers and a castle on the land, boats in the water, and clouds in the air.IMG_1412Next the class played a game to categorize items into where they are found: the land, water or air.  As a group they identified that a shark goes in the water, a plane flies through the air, and a cow belongs on land.IMG_1417Then Katie gave each child a picture of something that belongs either on land, in water or in the air.IMG_1425IMG_1426After carefully looking at the object or animal in their picture, Katie called each child up one by one to stick their picture on the environment where it belongs. IMG_1432Once everyone had had a turn the class had three pages full of objects and animals that are found in the water, air or on land.IMG_1437After completing their sorting game, the class began to head out of the gallery, however they stopped when they spotted more landscape paintings by Thomas Cole, and identified elements of the land, water and air.IMG_1442
After their visit they headed to the National Gallery of Art Sculpture Garden to read Earth Dance by Joanne Ryder, which asks the readers to use their bodies to imagine they are different aspects of Earth.IMG_1469IMG_1459The children spread their hands out wide and spun around like Earth.IMG_1453   IMG_1466
They raised their hands to the sky to be tall mountains, and whispered like breezes through the trees.IMG_1467IMG_1464
They pretended windswept grass was tickling their cheeks and roared like icebergs cracking.  After sitting during the museum circle, the children loved getting up and moving as they used their bodies to pretend to be different parts of the Earth.

After ending their unit on space, the Koala class focused on Earth, and what makes it unique and suitable for life, unlike the other planets in our solar system.  Through their lesson on Land, Water, Air, the class was introduced to Earth’s geography, and why it is important. Check out our Facebook, Twitter, Instagram, and Pinterest for more ideas from their unit on Earth! See you in two weeks with our next Teacher Feature!

And the Winners are…

Each year the Smithsonian Early Enrichment Center honors several of its educators for their outstanding contribution to our school.  Last week we enjoyed a Teacher Appreciation dinner where these awards were announced.

We’re thrilled to share that threes teacher Erin Pruckno was recognized as this year’s Diane Homiak award recipient, an honor that was well-deserved! The Diane Homiak award recognizes the commitment, creativity, and contribution of a stellar educator.   Erin’s dedication to the children in her class, her passion and creativity, and her support of parents were highlighted by those who nominated her.IMG_7003

This year we also recognized a first-year teacher as SEEC’s Rookie of the Year – that honor went to kindergarten teacher Silvana Oderisi!  Silvana was also singled out for her dedication to her students, her ability to reach each one individually, and her communication with parents. She’s made a significant impact in just a short time at SEEC, and we feel lucky to have her here!IMG_2234

Each year we also ask the staff to nominate peers who go out of their way to work collaboratively and support each other. We recognized three teachers as Team Players for their respective parts of the school.  Anne Kearney, Carolyn Eby, and Chris Conroy Smith were recognized by their colleagues as consummate professionals who do so much to support their colleagues.

While we were able to specifically recognize these five teachers, we have many more who were not award recipients – we are so fortunate to have an entire staff of dedicated, talented professionals!  Congratulations to all!

Teacher Feature: Two Year Old Classroom Explores Sharks

It’s Teacher Feature Thursday!

This week we are featuring Stephanie Jimenez, Shawna Williams, and Javacia Finney in our two-year-old Penguin classroom. These twos were deep into a unit on ocean life, and their teachers decided to spend a week learning about a familiar ocean animal, sharks. During this lesson, the class took a trip to the National Gallery of Art to view John Singleton Copley’s Watson and the Shark and compare the painting to what they had learned about sharks in class. Teachers at SEEC have an abundance of interesting objects and artwork to visit with their students. Sometimes teachers choose artwork that may seem unexpected, but is connected to conversations their students have had in class. Watson in the Shark is just one example of teachers choosing an unexpected piece of artwork to create a meaningful museum experience for their students.

Below you will find photos from their lesson and a reflection from Stephanie.

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What were your topics of exploration? Why did you choose them? Where did they come from?

We had been learning about oceans for several weeks, and this week we were focusing on sharks. Our kids love watching the fish in the aquarium in Sant Ocean Hall in the Natural History Museum. They were familiar with sharks and knew that they lived in the ocean, but I wanted this lesson to help them notice the differences between sharks and other fish.

Why and how did you choose the visit?

I chose to visit the painting Watson and the Shark because I wanted the children to have a visual of a shark in its natural environment, and then use their imaginations to have a discussion about the painting based on what they already knew about sharks.

What were your learning objectives? (What did you want your children to take away from the lesson?)

I wanted to introduce the children to what sharks look like and some of their behaviors. I wanted them to use what they knew about sharks to tell the story of what could be happening in the painting

What was most successful about your lesson? How did the lesson reach your objectives to expand the topic? What was successful in terms of your preparation and logistics?

I think the lesson was successful because the children were able to learn more about an ocean animal they were really interested in. The painting allowed them to visualize what a shark looked like, and they were able to have a concrete example of what we had been learning about in class. After our week on sharks, we began learning about fishing because the children were really interested in what the people on the boat were doing.

What could you have done differently to better achieve your objectives and expand the topic? What was challenging regarding logistics?  What recommendations would you have for another teacher trying out this lesson?

I would go to the museum ahead of time if possible, to make sure you know the exact location of the painting you want to see to help the lesson go smoothly.

Here are a few images from their lesson on sharks:

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Stephanie began the lesson by leading a review of the types of sharks her class had been learning about. They had learned about three different sharks throughout the week, including blue sharks, hammerhead sharks, and dwarf sharks.

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The children listened intently as Stephanie read the story Five Little Sharks Swimming in the Sea by Steve Metzger. Counting books and counting songs often have a rhythm that is engaging for young children, which helps to facilitate understanding of early math skills.

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Stephanie then led the group in singing and dancing to the song Baby Shark, a song that encourages children to engage with the music with their whole bodies. This song helped the children differentiate between sharks of different sizes, and referenced many physical features of sharks including their fins and teeth.

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The class bundled up and headed over to the National Gallery of Art to check out John Singleton Copley’s visually striking Watson and the Shark.

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Stephanie encouraged her class to spend a few minutes looking at the painting and thinking about what they saw. She began the discussion by asking simply, “What do you see?” There is a lot to see in this painting, and the children were eager to share their observations.

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The children noticed lots of details in the painting, including the fact that some people were in the boat but one was in the water. They also noticed the expressions on the faces of people in the boat. Many children agreed that the faces looked sad or scared. Stephanie guided the children’s discussion by continuously asking open-ended questions, including: “Why is that person in the water?” “What were the people doing before this happened?” “What is going to happen?” Some children remembered that sharks are meat eaters and eat other animals and fish. A few children thought that the people in the boat were going to save the person in the water from the shark.

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The class spent quite a bit of time looking specifically at the shark, noticing its physical characteristics and thinking about what the shark might be doing. One child commented on its sharp teeth, and thought that it might be hungry. Some children thought that the shark looked like one the types they had learned about in the classroom, the blue shark.

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By asking open-ended questions and basing her questions on the children’s observations, Stephanie allowed the children in her class to insert personal meaning into the lesson. The children used their imaginations to tell a story of what was happening in the painting, while incorporating knowledge of shark behavior and physical characteristics.

After learning about sharks, the Penguins continued their unit on oceans by exploring other ocean animals and ways that humans interact with the ocean. Check out our Facebook, Twitter, Instagram, and Pinterest for more ideas from their ocean unit! See you in two weeks with our next Teacher Feature!

Teacher Feature: Four Year Old Class Explores Music Composition

It’s Teacher Feature Thursday!

This week we are featuring Amy Schoolcraft and Emma Cowan-Young in the four year old Cinnamon Bear classroom.  Our teachers were inspired by the children’s interest in music and spent several weeks exploring musical instruments prior to this lesson led by Amy on music composition and sheet music.  Below you will find a reflection from Amy and Emma, and images from the lesson.

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What were your topics of exploration? Why did you choose them? Where did they come from?

Over the past several weeks our class has been studying musical instruments. They have had a great time learning why and how instruments play different notes but we wanted to find a way to extend their understanding of the role that notes have in creating music. So, learning about composers and sheet music seemed like a natural avenue to explore, and a great starting point for our week-long study on music composition.

Why and how did you choose the visit?

We wanted to select a visit that would reinforce the idea of sheet music as a product of a composer. While there were a few great choices among the Smithsonian museums, the installation Part File Score by Susan Philipsz at the Hirshhorn was too perfect to pass up. I loved the space because of the large sheets of music that are prominent, and the music that was being played through speakers, allowing the students to explore the music in two ways.

What were your learning objectives? (What did you want your children to take away from the lesson?)

I wanted the students to understand what a composer is and why they are important. This lesson was also intended to be an introduction to written musical notes for us to build upon throughout our week-long study of basic music theory.

What was most successful about your lesson?  

To introduce the idea of a composer, we first discussed what a composer is and then listened to a few musical selections. As they listened, I asked for them to try to figure out what story the composer was trying to tell. For example in Flight of the Bumblebee by Nikolay Rimsky-Korsakov, what was the bee doing? Where was it going? Was it moving fast or slow? The last song we listened to was a known favorite of our class, Star Wars (Main Theme) by John Williams. This was a song they knew well and could relate to, giving the students a personal connection to the music and its composer. They were very excited to learn more about John Williams and even try to follow along with a section of the sheet music while listening to the song.

How did the lesson reach your objectives to expand the topic?  

This introduction to composers helped to establish what a composer is and made it meaningful to the students by introducing John Williams, the composer of one of the class’ favorite songs.  The lesson also provided a basic understanding of sheet music, and how writing notes creates music.

What was successful in terms of your preparation and logistics?

We typically reserve the “meat” of the lessons for our museum circle, but we knew that it would be difficult to play the selections of music within the exhibit. So, we had the bulk of our lesson in our classroom instead, using the Hirshhorn exhibit to reinforce the concepts we had learned about in the classroom. Because we were having two circle times, one in the classroom and one in the museum, we knew that we would not have time for our follow up activity in the morning and so we prepared for our class to complete the follow up activity later in the afternoon.

What could you have done differently to better achieve your objectives and expand the topic?  What was challenging regarding logistics?  What recommendations would you have for another teacher trying out this lesson?

This exhibit was largely chosen because of its display of sheet music, but upon reading the description of the artwork, we realized that the artist had intended a much deeper meaning, [“Based on the life and work of film composer Hanns Eisler, a German Jew who immigrated to the United States after his music was banned by the Nazis, only to become an early victim of the infamous Hollywood blacklist of supposed Communist sympathizers”]. While we did not go into great detail about this new information with our class, we were able to add a layer to our lesson since the book we read was about musicians who were also banned from playing their music. Our program utilizes artwork and artifacts from a variety of sources in the many museums of the Smithsonian and this visit served as a reminder of the importance of being informed and sensitive to the intent and meaning of the items we use in our lessons.

The follow up activity asked the kids to use Picasso’s Three Musicians, shape cutouts, and Star Wars sheet music as inspiration in creating their own musician collages. While the results were great, it turned into a mini-lesson by trying to relate these inspiration objects to the morning’s lesson. In hindsight we think it would have been best to select a different follow-up activity and save the one we did for its own lesson down the road, perhaps a lesson on music-inspired art.

Here are a few images from their lesson on Music Composition:

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Amy began the lesson in the classroom with a conversation about composers and why music is written down.  She asked the children  what they knew about composers and wrote down their ideas as they shared.  Many children knew that composers write music, but Amy asked them, “Why do they write their music down?” Amy told the class that composers write music so musicians know what to play!

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Next, Amy played several songs and each time she asked the students to listen and imagine what the composers were thinking about or what story they were trying to tell when they composed the song.  During each song they got up and let the music inspire the way they moved, and then shared what story they thought the composer was trying to tell.  “Flight of the Bumblebees” by Nikolai Rimsky-Korsakov made the class think of people walking fast. “The Carnival of the Animals, Movement VII Aquarium” by Camille Saint-Saëns made the class think of spooky, scary things like monsters and ghosts.  “Comic Duet for Two Cats” by Gioacchino Rossini made all the children laugh and meow, and reminded them of “Cinderella” and “The Lion King”.

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After moving to the music, the kids sat back down and Amy played one of the class’ favorite songs – The Star Wars theme song.  The class instantly recognized it and got very excited.  Amy showed the class a picture of its composer John Williams, and the sheet music to the song.  The class noticed the title of the song on the top, just like books have titles.  They listened to the song and were able to identify lots of different instruments, and Amy told them that each musician will each get their own sheet music, specifically for their instrument.

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As the kids listened to the music they tried to follow the notes on their sheet music with their fingers, noticing all the different types of notes on the page.  Amy pointed out the staff, and shape of the notes.  They noticed how the notes go up and down the staff, which indicates the pitch of the note.

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Next, the class went to the Hirshhorn Museum to see  the installation Part File Score by Susan Philipsz.  This large space was perfect for their visit as the class was surrounded by music that they could both see as sheet music and hear through speakers.  Immediately the class spotted music notes on the large sheets of music that were framed on the walls, and stopped to listen to the music floating from the speakers.  Amy asked the class what they heard, and they named instruments as they listened.  They compared the sheet music in the piece to the Star Wars sheet music and noticed that the sheet music in Part File Score was much larger, and it had marks on top, but both had music bars and notes.  
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Amy read the class Really Awful Musicians by John Manders, about how musicians first learned to play together through composition and writing down notes.  The story illustrated why sheet music is important when musicians play together in order to play a cohesive song.  After the story, the class walked around the installation, and practiced their careful looking skills, noticing where notes were on the staff, and what the notes looked like.

Amy and Emma ended their Music unit with a concert for family and friends. Check out our Facebook, Twitter, Instagram, and Pinterest for more ideas from their unit on Music! See you in two weeks with our next Teacher Feature!

Teacher Feature: Twos Classroom Explores Louis Armstrong

It’s Teacher Feature Thursday!

 

This week we are featuring John Fuller, Brittany Brown, and Brittany Leavitt, who teach our two-year-old Firefly Class. This class spent several weeks learning about jazz music and musicians as part of a larger unit during Black History Month. The students were captivated by the different types of instruments that can be heard in jazz music, and the voices of Billie Holliday and Ella Fitzgerald often floated down the hall from their classroom during their explorations. I accompanied the Fireflies on a visit to the National Portrait Gallery to learn about Louis Armstrong and view one of his portraits. Below you will find a reflection from Brittany B., Brittany L., and John, as well as some images from their lesson.

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What were your topics of exploration? Why did you choose them? Where did they come from?

This lesson took place during the month of February, so we decided to take advantage of Black History Month. We had observed the fact that our children love music, and so we chose to focus on jazz music for a few weeks.

 

Why and how did you choose the visit?

We had been learning about several different jazz musicians and wanted our kids to see a photo of one of the musicians we had been learning about in a museum. We decided to visit the National Portrait Gallery because we could see a portrait of Louis Armstrong there.

What were your learning objectives? (What did you want your children to take away from the lesson?)

 

Our main goal in this lesson was to help the Fireflies identify different musicians and instruments. We reinforced this concept by playing lots of matching games, and helped the Fireflies connect to the musicians by sharing interesting tidbits about their lives that the Fireflies were familiar with (such as the face that Duke Ellington has a school named after him in our city, Washington D.C.).

We also brought in a record player so the kids would be able to listen to the music of each jazz artist as we learned about them. The kids were all amazed by the record player! On our museum visit, we brought a trumpet along with us so the kids would be able to feel and hold an authentic jazz instrument. We wanted the children to learn that Louis Armstrong played the trumpet, and that the trumpet has many different parts like the bell, finger buttons and mouthpiece.

What was most successful about your lesson? How did the lesson reach your objectives to expand the topic?  What was successful in terms of your preparation and logistics?

 

I believe this was a successful lesson. It’s great to talk with our kids’ parents and hear that they were talking about Billie Holiday at home, or that they remembered that Miles Davis plays the trumpet.

What could you have done differently to better achieve your objectives and expand the topic? What was challenging regarding logistics?  What recommendations would you have for another teacher trying out this lesson?

There were no major challenges during this lesson. It seemed like we gave the children enough examples to reinforce the concepts during our circle, without overwhelming them with too much information at once. Music is such a universal topic that we could have gone in many different directions with it. We had previously explored our five senses during the fall semester, and we could have revisited that topic and talked about how we use our ears to hear and our fingers to play.

For any teachers trying out this lesson, I would recommend they think outside the box. Connecting music and art is a fun way to reinforce the concept. Some examples would be to have a dance party in your classroom, putting on music and letting the children take off their shoes and paint with their feet on the floor. Teachers could also incorporate art by putting a dab of paint on a drum and letting their students experiment.

 

Here are a few photos from the Fireflies’ lesson on Louis Armstrong:

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The Firefly teachers began their lesson in the classroom, where Brittany B. led the students in a matching activity to review the jazz musicians they had learned about so far in their unit.

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This activity gave children the opportunity to look at pictures of familiar jazz artists, and match each artist to the instrument they played. Earlier in their unit, the Fireflies had learned about the musicians Duke Ellington, Billie Holiday, and Miles Davis. This matching game including a storytelling component, where the Fireflies learned some details about each musician’s life. The kiddos were excited to connect the musicians’ experiences to things they had experienced themselves (such as living in Washington D.C.).

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Following this activity, Brittany B. introduced the Fireflies to another jazz musician, Ella Fitzgerald. The students learned that some musicians, like Ella Fitzgerald, use their voice as an instrument.

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The kiddos put on their “listening ears” while Brittany B. played an Ella Fitzgerald record. Many kiddos picked out the different instruments they heard in the song, including the singer’s voice and a trumpet. Brittany B. explained that they were going to see a portrait of another jazz singer that day.

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Later in the morning, the Fireflies continued their lesson at the National Portrait Gallery. Brittany L. introduced the class to the jazz musician Louis Armstrong, and the class spent some time looking at his portrait.

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Due to the musical nature of their unit, the class by this point was very accustomed to putting on their “listening ears,” and did so again in the museum to hear Louis Armstrong sing What a Wonderful World. A few students told Brittany L. that they could hear a piano, a trumpet, and a singing voice.

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The Firefly teachers had brought a real trumpet in its case along to the museum. Before Brittany L. opened the case, the class spent some time guessing what was inside. One student guessed “A violin!”

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As Brittany L. showed the trumpet to the students, she labeled each part and talked about its function. She demonstrated how the trumpet is played by blowing air through it, and compared it to the trumpet in Louis Armstrong’s portrait.

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The students then had the opportunity to touch the trumpet, push the buttons, and examine the holes at either end.

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This unit exposed the two-year-olds to many different types of jazz musicians, and provided the students with plenty of new vocabulary and knowledge about how different instruments are played. Check out our Facebook, Twitter, Instagram, and Pinterest for more ideas from their unit on jazz! See you in two weeks with our next Teacher Feature!

Teacher Feature: Smithsonian Early Enrichment Explores Waterfalls

This week we are featuring Smithsonian Early Explorers (SEE) program.  This SEEC program for children 18 months to 3-years-old and their adult caregiver. It meets for two hours twice a week in classrooms on the National Mall and takes trips to various Smithsonian Museums. A few spaces are still available for the 2019 – 2020 academic year. Ready to enroll – use our easy online application.

The class had been learning about bears with educators Allison Bates and Elizabeth Shaw. They had been learning about bear habitats and focused on waterfalls for this lesson.  Below you will find a reflection from Allison and images from the lesson.

SEE Waterfalls Cover2What were your topics of exploration? Why did you choose them? Where did they come from?

This lesson on waterfalls was part of a larger unit on the story “Going on a Bear Trek.” Bears are an animal many young children are familiar with and gravitate toward, and these toddlers were no exception. During this unit, we learned about different bear characteristics including their fur, claws and teeth, and became familiar with many different environments bears call home. We had been studying rivers for a few weeks and learned that grizzly bears hunt for salmon in the river. This lesson focused on waterfalls and the different kinds of things we might see happening at a waterfall.

Why and how did you choose the visit?

The Smithsonian American Art Museum is great for kids because the quiet galleries provide an ideal space to look carefully at the artwork. When bringing young children to an art museum, it is often helpful to visit spaces that are not too crowded or loud. I chose the painting The Great Horseshoe Fall, Niagara by Alvan Fisher because its large size and subtle details provide a great opportunity for kiddos to look carefully.

What were your learning objectives? (What did you want your children to take away from the lesson?)

The goal of this lesson was for the children to understand that a waterfall is part of a river, a geographical feature we had been learning about for a few weeks. We spent a lot of time using our bodies to demonstrate that rivers flow from high places to low places, and we repeated that concept in this lesson. We also reinforced the concept that bears go to places like rivers and waterfalls to look for fish to eat. In this lesson, I introduced the concept of rainbows and light refraction – a concept that is very abstract, so we tried to make it as visual and concrete as possible. The goal was for the children to understand that rainbows are created when light and water meet.

What was most successful about your lesson? How did the lesson reach your objectives to expand the topic? What was successful in terms of your preparation and logistics?

I find that many young children engage better with material when the concepts are introduced in the form of a story, or when music is used as a teaching tool. This lesson featured a lot of singing, dancing, and moving our bodies around and it seemed to resonate with the kiddos. Having something for each child to touch is really helpful as well. On this visit, the children were each given a small photo of a rainbow that they could use to connect to the painting, the songs we were singing, and the book we were reading (A Rainbow of my Own by Don Freeman). A nice benefit of holding our lesson at the American Art Museum was the beautiful Kogod Courtyard, where the kids were able to freely move their bodies and play in the fountains after our lesson. It was a great way to wrap up as the children could make connections to the flowing water under their feet as they played.

What could you have done differently to better achieve your objectives and expand the topic?  What was challenging regarding logistics?  What recommendations would you have for another teacher trying out this lesson?

The biggest challenge of this lesson was introducing the concept of light refraction. We tested out this phenomenon in the classroom using a glass of water, but it would probably have been more effective if we were able to try it in a dark room with a brighter flashlight. Since the rainbow wasn’t quite as visible during our experiment, the cause-and-effect relationship of light passing through water may have been lost.

Here are a few images from their lesson on waterfalls:

Allison started the day by letting the children explore learning centers that focused on rivers, a common place to find a bear!

IMG_0950 Picture1Children had lots of choices to explore.  A light table lit up different water colored objects including glass marbles and water beads.  Children rolled bouncy balls down a PVC pipe to illustrate how water runs down a mountain.IMG_0936 Picture1They also experimented with this concept by pouring water down empty water bottles, and watching as the water zoomed back and forth as it slid down into a pan.IMG_0958.JPGAfter learning centers, Allison called the group together for their morning meeting.  First, she reinforced the concept that rivers flow down a mountain from high to low by demonstrating with her body. The students and their caregivers jumped in and also moved their bodies from high to low, like a river traveling down a mountain.  IMG_0965Then it was on to the focus of the day – waterfalls and rainbows.  Allison explained that waterfalls are a part of rivers, and that sometimes you can see rainbows at waterfalls. Allison told the group about refraction, the interaction between water and light.  She illustrated this by demonstrating what happens when light penetrates water- sometimes there’s a rainbow!IMG_0970
Each explorer received a picture of a rainbow to hold as they got a closer look at the light moving through the water.  They compared their picture to what they saw, and noticed similarities like its brightness, and differences, for example, they only spotted one color – blue.  After singing their Bear Trek song, and making whooshing waterfall sounds, it was time to trek to the Smithsonian American Art Museum.  
IMG_0976Once in the museum, the class searched for waterfalls and rainbows, and found both in the painting The Great Horseshoe Fall, Niagra by Alvan Fisher.  The group observed the painting and compared the rainbow in the painting to the one they were holding.  They noticed that all the colors were present and sang a rainbow song. IMG_0978Allison used a felt sun to reinforce the concept that rainbows appear because of refraction; the sun is shining on the waterfall, which causes the rainbow.IMG_0981Next the class read A Rainbow of My Own by Don Freeman, which tells the story of a boy who imagines what it would be like to play with his own rainbow.  As they read the story they spotted all the colors of the rainbow. IMG_0982Allison then reminded the class that bears catch fish in rivers and waterfalls, showing them a picture of a bear catching salmon in a waterfall.IMG_0991Then it was time to make their own waterfall by sticking blue crepe streamers to a long, narrow piece of poster board.  Picture2When they were finished Allison held up the waterfall and shook it, making the crepe paper wiggle.  The class made the whooshing sound of a waterfall. IMG_1005Then the group moved down to the Kogod Courtyard to play in their waterfall.  They got into bear mode and jumped through the waterfall to go fishing.IMG_1015The kids put on a paper bear paw and used the velcro to capture fish. Then they brought the fish back through the waterfall to the appropriate color bucket.IMG_1024IMG_1029Lastly, the group loved playing in the water feature in the courtyard of museum.  They experimented walking over the flowing water, and feeling it run over their fingers.

Through this Bear Trek unit, the explorers learned about different aspects of bear habitats, including waterfalls. Check out our Facebook, Twitter, Instagram, and Pinterest for more ideas from their unit on Bears!

A few spaces in the Smithsonian Early Explorers (SEE) program are still available for the 2019 – 2020 academic year. Ready to enroll – use our easy online application.

#notdaycare

The last few years have seen increased national conversation about how to reform education in our country. Charter schools are popping up everywhere, new forms of high school are being created, and new ways of “doing school” are being funded and debated. But throughout all this conversation very little attention has been paid to early childhood education—our work is still considered “day care” by many and not valued for the very important role it plays in the overall landscape of a child’s education. We want to change that conversation.

I think that this “day care” conversation has been fueled in part by two subtle and underlying ideas we have in this country– first, that what happens in early childhood settings is really comparable to what happens at home during the early years, and second, that what happens with children before they are “school age” is a personal responsibility rather than a collective responsibility. Perhaps because many children used to (and still do) spend their first five years at home with a parent or family member, we seem to have the idea that what happens in early childhood settings is the same thing as what happens at home during the day and that these teachers are “substitute parents”  who don’t really need any special skills, rather than educators requiring degrees (after all, you don’t need a degree to be a parent….). In addition, we see educating children starting in Kindergarten as something we need to be doing (even though it’s debatable that we really do see this as a collective responsibility since our education system is certainly not yet equitable) but educating a child before five years of age is something an individual parent is responsible for finding and financing.

The work that happens in our classrooms, and in many other early childhood classrooms across the country, certainly includes care and love, but it includes so much more than that. Teachers in these settings carefully design developmentally appropriate experiences for children that help them develop skills and dispositions that will carry them through a lifetime of learning. Teachers in these settings expertly manage multiple children all day long…teaching them vital life skills, social interaction skills, and rich content—all while caring for them in ways that build strong personal relationships with them that can last a lifetime. We do not care for days…we care for children. But we do so much more than just care for them. We are living and learning spaces that grow human beings…the next generation of people who will run this country. Parents who have chosen to stay home with their young child and nannies working in homes often face the same lack of respect from society. They are not “just taking care of” their child, they, too, are growing human beings. There is no more important job than growing a human being.

While the phrase “day care” certainly doesn’t adequately describe our work, the word “school” is laden with context that makes it not quite the right word for our work either. School often conjures up thoughts of testing and sitting at desks and that is not at all what we do. But we do educate children and the technical definition of “school” is “an institution for educating children”–a description that certainly applies to our work. At SEEC we describe ourselves as a demonstration school for young children because developing new methods of educating young children is the heart of our work, using the research on child development and learning is our base, and sharing our learning with others in the field is part of our mission. We are not a “day care” center and neither are most of our colleagues doing this work across the country. We are school at its’ richest and best.

I am certainly not denying that there are some places where young children spend their days which are simply places where they are taken care of at the most basic level—these places definitely exist. But I am saying that as a country we should no longer be content to let places like this exist. We should demand that the system change to support and allow every child who is in a group setting to have the chance to experience a rich living and learning environment that we absolutely know is key to learning later in life and to being successful in life overall. This change will require conversations like the ones that have happened around the rest of the education system—what are the new models, how will we fund these models, and who can (and can’t) teach. Perhaps most importantly, this change will require the conversation about what we want for the children of this country collectively, not just what we want for our own child.

Let’s help start this conversation. Let’s all–teachers, parents, nannies, anyone working with young children– start a campaign that brings to light the important work that people who are growing human beings are doing. Let’s post our photos of the rich work we do with young children with the hashtag #notdaycare. Let’s add our voices to the conversation in an effort to change the narrative about the early years and education. Let’s help the public understand that the best way to change the education system might be to change the early childhood system so we are sending children to school at 5 as children who are curious, who love learning, and who know how to ask good questions and search for answers. Our work is #notdaycare, it is education that sets the stage for our future. Let’s have the conversation.