My Child is Throwing an Epic Temper Tantrum…Now What?

We’ve all been there. You’re out with your child at the _____(grocery store, restaurant, library, etc.) and your child melts into a ______(screaming, yelling, crying, etc.) puddle on the floor.  Over time, SEEC faculty has developed tips and tricks for dealing with the tantrum.

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Stop and Drop

Unless the child is in the middle of the street or in immediate danger, we don’t try and push forward with the activity. Stop what you are doing and drop to their level so that you are face to face. This helps the conversation feel more personal and meets children  on their level.

Stay Calm

It’s easy to get flustered and frustrated when a child is upset and acting out. However, it’s often more effective to remain calm and level headed. Not only is it better for you, but you are modeling the behavior you want to see from the child. We speak slowly in a soft voice, using vocabulary that is age-appropriate and clear. What we say to a toddler might be different than a preschooler.  During a tantrum, children’s brains are on over drive, so it’s important to make it easier for them to understand our words. Also, we suggest to children that they take a minute to calm themselves, so that we can better understand their words.  Self-soothing is an important skill to learn and we want to give them time and space to figure that out if possible. Since children are unpredictable, it often helps to add extra time to your routine – you will both have a better day if you have time to calm down.

Acknowledge their Feelings

Adults don’t much care for it when they are upset and someone responds to them, “You’re ok!” or “Stop being upset!”? The same is true for children.  It’s important to verbally acknowledge when a child is upset. Saying things like “I can see that made you very angry.” or “I know you are upset about…” will help children feel like they are being heard. It may seem little from an adult perspective, but its not for them, When we stop and listen, we are demonstrating behavior that will help them develop into adults who can deal in healthy ways with their emotions.

Pre-Verbal or Limited Language

Young children especially may throw a tantrum because they don’t have the verbal skills yet to communicate effectively. If we saw what they were doing before the meltdown, we start by narrating the preceding events. For example, “I saw you were playing with the toy and a friend took it from you. Is that what is upsetting you?” or “I watched you crawl over there and reach for a book, would you like help getting it.”

Negotiable V. Non-Negotiable

Once you’ve identified and acknowledged a child’s feelings, you still have to grapple with the tantrum trigger. In some situations, it may not be what they want but the way they went about getting your attention that was the problem. In such situations, after the child has calmed down, ask them to re-frame the request. “Can you ask me in a calm way if we can stay and play a little longer.”

Natural consequences can also be easier and more effective than having a power struggle over the tantrum. A child may not want to wear a coat on a chilly day or may insist on wearing a heavy coat in the middle of summer. Children will  learn that both scenarios will result in their own discomfort. A smart parenting move is to take the weather appropriate clothing with you, so that another tantrum doesn’t result from that discomfort.

Other times, you may want to offer a child a reasonable choice: “you can’t wear sandals when its snowing, but you can choose between two shoes that you, the adult, deems appropriate for a snowstorm. Again, caregivers should encourage children to use calm and respectful language when making requests.

There will also be times when you simply are not going to give a child their way. Think about crossing the street. A child may refuse to hold your hand and begin to have a tantrum. We’ve all been there, you have 30 seconds to cross and are already running late for work.  Your response can be non-negotiable – crossing streets is a safety issue and you need to stick to a schedule. Its ok to let a child be upset. You can give them the choice of holding hands or being picked up, but let them know that safety is first. Its awful to hear a child screaming, but using a calm voice and acknowledging their feelings is sometimes all that you can do. Remember, children also need to learn to cope with disappointment and frustration and a situation like this, is part of their learning journey.

 

At the end of the day these tantrums are a normal part of a child’s development. Although challenging, try not to feel like other’s are judging you. Chances are they have been through a similar experience with a child at some point. You are an expert on your child and ultimately know their personality better than a stranger does.

Keep an eye out for another upcoming blog on calming strategies or take a look back at 10 Tips and Tricks to help you both make it through the challenging moments.

Have something that works well for you and your family? If so, PLEASE share below. We are always grateful to be able to learn from each other!

 

Teacher Feature: Infant Class Explores Farm to Table

“Teacher Feature: Infant Class Explores Farm to Table” was originally published on January 4, 2018. We are posting it again to help people embrace teaching farm to table units.

This week’s teacher feature highlights one of our infant classes. The teachers in the class, Mallory Messersmith, Morgan Powell, and Rosalie Reyes, were inspired by National Farm to School Month to lead their class on a month-long exploration of food and community. For this outing, the class went to the United States Department of Agriculture Farmers Market to learn about locally sourced fruits and vegetables. Below you will find images from the lesson and reflections from Mallory, Morgan, and Rosalie.

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 Preparation:

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The preparation for this outing began well before the day of the visit. The class had spent several weeks exploring local produce before venturing out to the USDA. The teachers, Mallory, Morgan, and Rosalie, educated themselves about National Farm to School Month and did some research of their own.

Rosalie first learned of the National Farm to School Network while attending DC Teacher’s Night: Connecting Teachers with Environmental Education at the United States Botanic Garden. This nation-wide initiative is meant to promote connections between communities and fresh, healthy foods by focusing on educational activities related to agriculture, food, health, and nutrition. After attending the teacher’s night, Rosalie joined the National Farm to School Network and was excited to see resources for early childhood education.

Mallory, Morgan, and Rosalie were then inspired to create a unit around the idea of farm to school because of the many diverse areas of exploration that the study of fruits and vegetables offered their class, including colors, shapes, and textures. Additionally, they noticed that many of their students were starting to eat new solid foods. They sought to align their lessons in the classroom with the developmental milestones the children were experiencing regarding eating new foods.

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The teachers transformed their classroom for this unit. They carefully thought about how to organize the room to best fit the needs of their students and were excited to create experiences that were conducive for learning.

To begin preparing for their unit, Morgan, Mallory, and Rosalie chose a collection of art prints and  created their own works of art to post throughout their classroom. They paid special consideration to their students’ cubbies where they posted images of fruits and vegetables. Mallory even crocheted fruits and vegetables to add to the classroom. Since many children in their class were actively learning to crawl, the teachers taped images to ground for their class to explore while on the move. They also researched and chose children’s books to add to their classroom collection and brainstormed which produce to highlight with the class.

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The children also took part in the preparations for the outing well before the actual day. As a class they explored fresh fruits and vegetables. They often started with the whole produce and then began cutting and breaking them apart to see what was inside. The process of exploring the fruits and vegetables quickly became a sensory experience for the infants as they touched, smelled, heard, and even tasted the various produce.

The class explored most of the produce using sight, touch, smell, and sound. The children were able to use their sense of taste when interacting with the avocados and strawberries for a more immersive experience. For both strawberries and avocados, the children looked at and touched images of the produce. They then compared the images to the real produce before and after it was cut up. Mallory, Morgan, and Rosalie believed that it was important for the children to be able to make connections between the whole product, which the children do not always see, and the cut up portions that the children regularly eat at snack time. To finish the experience, the class had the opportunity to sample! The strawberries were a big hit, but many students were a little more cautious about the avocado. This immersive, multisensory experience left the children with a greater understanding of the food that they eat.

The teachers also combined this multisensory teaching approach with thinking routines including See, Think, Wonder to encourage curiosity and new understandings. Since many of their infants were preverbal, Mallory, Morgan, and Rosalie would verbalize out loud the different things that they saw, thought, and wondered while the children in their class were exploring the various fruits and vegetables. The teachers were careful to keep in mind that this might be the first time that their class had been exposed to many of the images and objects and allowed time for the infants to experience and make discoveries. One particularly fun lesson that built upon the multisensory and thinking routine approaches, was when the infants were exploring the red cabbage. As the children were bending, breaking, smelling, and feeling the texture of the cabbage, Morgan began to read Eating the Alphabet by Lois Ehlert. As she read, she asked questions about the colors, textures, and sounds that the class heard when they were peeling the leaves of the cabbage.

Lesson Implementation:

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The USDA holds a Farmers Market on Fridays throughout the spring, summer, and early fall. SEEC classes regularly visit to see the produce, buy snacks, and enjoy sitting on the grassy lawn.

Mallory, Morgan and Rosalie chose to visit the USDA’s farmers market in part because of its accessibility, since it is just off the National Mall and not far from their classroom. They also wanted to embrace the community aspects of the visit, as the farmers market is a great place for people to gather. This community space has picnic blankets and open space for people (including this class) to sit, gather, and reflect on the experience of being at the farmers market. It was a perfect fit for this lesson because it encouraged the children to make connections between the familiar foods that the class eats every day and the less familiar, whole, unprocessed, muddy foods that they saw at the market. Mallory, Morgan, and Rosalie brought objects with them to enhance this community visit, including soft and hard toy fruits and vegetables and a board book to read to the group.

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As the class approached the farmers market, they paused at the People’s Garden. This small urban garden in the heart of Washington, DC expanded the children’s experiences in and understanding of the city that they live in.

 At SEEC, teachers regularly take their classes on museum visits where they connect ideas that they are learning about in the classroom with museum objects. They often extend their lessons beyond the museum doors while still using the same techniques that they used on the community visits.

When asked to explain why it is important to take infants on community and museum visits, Mallory, Morgan, and Rosalie cited this quotation:

 “Our connections to the people, animals, and plants around us make us who we are. Humans are not a solitary species; we need one another to survive. In the same way that children need opportunities to get to know the natural world so that they can develop a strong relationship with it, they need that same opportunity to connect with the human and human-made community that they are a part of. When children develop a strong relationship with their community at an early age, they grow up knowing and feeling a strong sense of belonging.”

Source: https://shelburnefarms.org/sites/default/files/cultivatingjoywonder_all_smaller.pdf

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Mallory, Morgan, and Rosalie encouraged their class to touch and explore the dirt when they noticed that their class was interested in it. Some teachers and caregivers might be hesitant to encourage their young children to play in dirt, but at SEEC we believe it is a vital part of learning.

While strolling through the People’s Garden, the class paused for a moment and reached to grab handfuls of soil. This part of the lesson was actually completely spontaneous! The teachers noticed students pointing towards the ground and saw it as an opportunity to follow their curiosity and facilitate hands-on learning. Through these early experiences with soil, children learn that soil is a living system full of healthy and fascinating relationships. The educators were also able to connect back to soil later during the visit by pointing out dirt on some of the produce the children were examining at the Farmers Market.

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As the class passed through the booths at the farmers market, they paused to examine some produce like this butternut squash.

While exploring the butternut squash, the children not only touched the smooth sides, but also noticed how the textures of the squash changed as Rosalie rotated it. When she turned the squash on its side, the children immediately reached out to touch the small, dry area of the squash. Even though the children could not talk yet, the teachers, Mallory, Morgan, and Rosalie, were able to follow each child’s nonverbal cues. The teachers paid special attention to the things the children were pointing to, the changes in their facial expressions, and their use of sign language. In fact, throughout the lesson the children regularly signed “more” as they moved from one booth to another, signaling that they wanted to explore different types of produce. When the children signed “more”, it helped Mallory, Morgan, and Rosalie know that the children were enjoying their visit and wanted to continue.

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As they walked, the class continued their sensory exploration by touching smooth red peppers, bumps on an acorn squash, and the rough stems of a pumpkin. Both students and teachers seemed to believe that their trip to the USDA’s Farmers Market was a huge success.

Mallory, Morgan, and Rosalie were so excited to take their class to the farmers market because this was their first trip outside as a group! The teachers had spent the month hoping that they could visit the farmers market for this unit and on the last Friday of the month they were able to make it work! Even the journey to the Market was exciting for the students; they experienced the sights and sounds of a beautiful autumn day outside in Washington, DC. The class noticed squirrels, fall foliage, and insects on the trip across the National Mall. Once the class arrived at the market, Mallory, Morgan, and Rosalie were happy to see their students so engaged with a variety of produce. They also embraced the unplanned moments, including feeling the dirt and meeting a big, fluffy dog which made their outing extra special.

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The class gathered on a blanket to play with toys from the classroom and explore produce that they had bought from the farmers market. A major component of this time was Mallory, Morgan, and Rosalie singing various songs.

After the visit to the vendors at the market, the class gathered on the grass near the market. As part of the Friday Farmers market, the grassy area has lawn games set up as well as communal picnic blankets, which the class used for their outdoor story time. The teachers made sure that each child was engaged by offering them toys from the classroom and produce that they had recently purchased from the market.

Once everyone was settled in, the class looked at some pages in a book and sang a variety of songs. They sang a variety of autumnal songs that the music teacher, Ms. Allison, had introduced to the class during October. One song was about a pumpkin, big and round; another song was about autumn leaves falling down. They sang the pumpkin song as the children touched the pumpkin. As children began venturing off their blanket and started to explore the leaves they found on the ground, Mallory, Morgan, and Rosalie sang the autumn leaves song. It was clear that the children enjoyed the songs as they rocked their bodies to the beat and even clapped along.

Reflection:

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While the group was engaged singing and looking at books, Mallory, Morgan, and Rosalie encouraged individual exploration. This child discovered that he could lift the pumpkin by its stem as the class sang the song “Orange Pumpkin – Big and Round”.

Since their class is composed of young children, much of the beginning of the year is focused on learning and supporting each individual child’s feeding and resting schedule. This complicates finding time to go on outings. However, when the opportunity arises to go on a trip, Mallory, Morgan, and Rosalie, jump on it, as they know the benefits of getting their class out of the classroom for experiential learning.

When thinking about what the class could have done differently, Mallory, Morgan, and Rosalie thought it would have been nice to bring food for their class to eat while on the picnic blankets. They explained that bringing food to taste would have enhanced their class’ experience beyond seeing and feeling by adding the sense of taste.

After the visit, the class continued to build upon what they had experienced that day. The children decorated canvas bags which would be perfect to take to the Farmers Market for shopping. To decorate, the children mixed and splattered paint with their hands, feet, and brushes. At the end of October, the bags were sent home with a small gourd inside. It was a great way to finish off the month!

 

Teacher Feature: Kindergarten Class Explores Paleontology

Today we’re featuring kindergarten teachers Cathryn Prudencio and Sharon Jensen. The class has been exploring dinosaurs, and I joined them for a lesson at the National Museum of Natural History that answered the question, “How do dinosaurs get to the museum?”  Below you will find images from the lesson, as well as reflections from Cathryn and Sharon. 

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When the kindergarten class needs to pick a new topic to study, the children always start out by answering the question “What would you like to learn about?” in their journals. Then the students draw what they are interested in. We also explore different ideas for topics throughout the year, and when it’s time for a new topic we brainstorm ideas as a group. We vote to narrow the choices down to the top three or four, and then vote again for our final topic. This way we make sure that the students are truly involved in choosing what they will be learning about, and they are satisfied that it was a decision made fairly. This is how we ended up doing a unit on dinosaurs as our last unit before the kindergartners graduated.

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The class went to The Last American Dinosaurs exhibit; a temporary exhibit while the new Hall of Fossils: Deep Time was being renovated. The group’s first stop was at a wall of photographs from a 2013 trip to North Dakota made by a team of paleontologists from the museum. They stopped and carefully looked at the photographs, making observations about what the paleontologists were wearing and why. Some of their observations included: hats to keep them cool, pants to protect their legs from sun burn and the risk of getting cut from sharp tools, and gloves to both protect their hands and protect the fossils from the oils on their hands.

The objective of this lesson was to deepen the understanding of what a paleontologist does on a dig, and what tools and procedures are used. We used the pictures hanging up in the exhibit to support what we were talking about, and to help the children think about what was needed for the dig. We also used the objects on display to talk about the materials needed and how they were used, supporting this with objects passed around for the children to see and hold. Doing this, we not only reinforced information from a previous lesson, but we also prepared the children for their own miniature dig in the museum.

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Next, they did more careful looking at exhibit cases display tools that paleontologists use. The children excitedly called out what they saw, and Cathryn read the label for them to glean more information.

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After careful looking and making observations, the class sat down to talk more about what paleontologists do, and how they get a dinosaur to the museum and on display. They named tools that paleontologists need and Cathryn brought out a version of each tool they named. Next, brought out a Lego model of a dinosaur hall that might be in a museum. She explained that to find out how the dinosaurs get to the museum, they must go back in time to when the paleontologists began their dig.

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The children all donned goggles to protect their eyes, and got to work on a dig. One child used a chisel and hammer to scrap off the “hard top layer”.

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Next, the children got to work using the tools to uncover what was buried beneath the ground. They were excited as the found what the believed to be dinosaur skeletons. Sharon asked how they could tell what kind of dinosaur it was, and the children responded that they should look at the heads and neck.

Something that surprised us during the lesson was how the children really took turns and then worked together on the “dig site” in the museum space. Sometimes they get so excited about an activity that it can be hard for them to be patient and wait their turn.

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To learn what happens next, Sharon read the book How the Dinosaur Got to the Museum by Jessie Hartland.  The story follows the journey of a Diplodocus, discovered in Utah in 1923 and its journey to the National Museum of Natural History. The children were impressed to see the numerous people involved in getting the Diplodocus from the ground to the exhibit hall. They also were shocked to hear that it took seven years for the Diplodocus bones to be assembled in the gallery.

The most ineffective part of our lesson was most likely the read aloud. Even though it explained the process of getting the dinosaur bones from the discovery part to the display in the museum, and all the people involved in the process, it was rather long and made our lesson longer. By the time we finished the story, the children had been sitting for some time. However, this was okay because we  already talked about the process so much and the people involved, that it was a way to reinforce what we were teaching.  Even though the read aloud was very long, we were still surprised at how well they stayed engaged and listening.

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The children noticed that some of the bones were hard to tell exactly what they were. Sharon reminded the class that it took seven years to put the Diplodocus together, and while it might not take seven years to put the puzzle together, it might take them longer than the time they had in the museum. The group was reassured that they could continue work back in the classroom.

In the beginning, when putting the puzzle together, the children were super excited, but that soon faded when they were trying to figure out which piece went where. Again this was okay, because they did try and got pretty far with it. Eventually they just lost interest.

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That afternoon the children continued to work together to put the skeleton together. They also used Legos and plastic dinosaurs to create their own dinosaur exhibit hall.

Later in the classroom, we left the section of the museum for the children to play with. On their own they created several additional sections of the museum using Legos, dinosaurs and some blocks. It took up the entire table and throughout the week there were more additions. Written labels the children made to identify objects, for example, and more “tourists” made from Legos were added to see the “exhibit.” It was awesome!


After exploring dinosaurs it was time for our kindergartners to graduate! For more dinosaur ideas, visit our dinosaur Pinterest board.

Songs & Emergent Literacy

“Songs & Emergent Literacy” was originally published on October 25, 2018. We are posting it in celebration of our up coming professional development workshop Emergent Literacy using Objects on November 21, 2019.


Drum and LiteracyIf you visit our toddler and twos classes you are bound to hear joyful voices singing songs as they begin their morning routine. The classes sing hello to each student, use songs during their morning circles, and to help ease transitions throughout their day. While a chorus of young voices is undeniably sweet and fun, their singing is helping to set a strong academic foundation by strengthening the children’s pre-literacy skills.

Songs & Vocabulary

When children hear a song, they are exposed to new words. The words that young children hear, whether spoken or sung, are the words that form their vocabulary. The repetitive nature of many song lyrics, combined with the fact that children are likely to hear the same song many times, gives them the opportunity to fully learn new words. Later in their academic lives, this understanding of a variety of words will help with their ability to read and their overall reading comprehension.

Songs, Sounds, Rhymes

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For very young children, listening to songs exposes them to the many different sounds that make up our words. As you sing a song, you emphasize certain sounds and by doing so, you highlight the building blocks of our language. Singing gives the youngest children the opportunity to mimic and communicate with these sounds in a way that is ideal for toddlers. When singing, they are given the freedom to be loud, let their voices ring, and play with sounds. Additionally, a child whose words often slur together or who regularly skips words while speaking is often able to sing a tune in such a way that an adult will know what they are singing. This can hold true even in cases where the adult is not able to understand many of the individual words being sung. Children rely on the sounds they learned while singing when they start sounding out words and when they are developing the ability to read.

As young children develop pre-literacy skills, they begin to have the ability to rhyme. Singing songs such as Willoughby Wallaby Woo, Down by the Bay, and Silly Nilly Name Song allow children to explore rhyming sounds while singing. Pausing before you say the rhyming word can give the children the chance to fill it in, which helps children progress from hearing rhymes to creating their own rhymes. These singing games can provide hours of entertainment while challenging young children to explore sounds and rhymes.

Songs, Symbols, & Letter Recognition

A crucial component of learning to read is recognizing that the letter “m” means the sound “mmm”. In order to learn this, children must first understand the use of symbols, because the letter “m” is a symbol for the sound “mmm”. Children begin recognizing symbols well before they are ready to read and symbol recognition is considered an important pre-literacy skill. While using songs to help children understand letters may seem unlikely, song cards offer the ideal opportunity to pair singing with symbol recognition.

Songs cards are images that are used to represent or be a symbol for a particular songs. For example, an image of a sun might be used to represent Mr. Sun and a star might be used to represent Twinkle, Twinkle.  When using song cards, make sure that image is large, engaging and/or colorful. Also be sure that the images are double sided and laminated for durability. Then dramatically spread the song cards out in the middle of the circle and encourage the class to explore the cards. As they pick up the images, sing the corresponding song. Over time, children will learn that specific images represent their favorite songs and will go out of their way to find these images. Young children love using these song cards because it helps them to communicate what songs they want to sing  without having to come up with the name of the song or even the tune. In essence, song cards help young children to learn about symbols in a way that is appealing to them by helping to fulfill their need to communicate their wants and desires.

Join Us & Learn More

Singing is one of many ways that can help young children develop pre-literacy skills in a way that is developmentally appropriate and intrinsically rewarding. At SEEC, we use books, art, and objects engage young children in literacy. If you are interested in learning more, come to our professional development workshop Emergent Literacy using Objects on November 21, 2019.3:30 pm.

 

How Books Help Young Children Develop From Head to Toe

“How Books Help Young Children Develop From Head to Toe” was originally published on November 19, 2017. We are posting it in celebration of our up coming professional development workshop Emergent Literacy using Objects on November 21, 2019.


This week’s blog is written by Melinda Bernsdorf. Melinda has been working in the classroom with toddlers and twos for a decade and strongly believes in the magic of a good book. She studied Developmental Psychology and Learning at St. Joseph’s University and was an educator at SEEC from 2014 – 2018. When traveling, she always brings home a children’s book (or two!) to add to her library. For this blog, she drew on her experiences as a toddler teacher to write about books and how they can help children develop physical skills. 

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Children’s literature is so fantastic with funny stories, catchy rhyme schemes, and interesting information presented in novel ways. Educators and researchers often praise children’s books, citing their importance in supporting vocabulary development, but children’s books can also meet developmental needs of infants and toddlers beyond language acquisition. These other developmental domains, such as motor skills, are often overlooked when talking about the importance of providing literature to young children. Although it may seem counterintuitive, when young children engage with books, they are also engaging their bodies in ways that help them grow physically.

SEECstories.com (2)When our toddlers begin the school year, they devote a lot of their resources to the development of their emerging physical skills. It takes a lot of energy and hard work to figure out the complex series of muscle movements needed to walk, climb the stairs, hold a peer’s hand, or interact physically with another toddler. In one of our toddler classes, we used Eric Carle’s From Head to Toe as a platform for our students to work on these physical skills in meaningful and enjoyable ways while also integrating vocabulary and early literacy skills in our lessons. Our class was so inspired by this book, that we decided to create a unit that focused on body movement and used the book as jumping off point.

SEECstories.com (4)Toddlers are intrinsically drawn to the repetition of a familiar and beloved book. Their interest in multiple exposures provides opportunities to increase their knowledge and contextual understanding of the new vocabulary. Additionally, these multiple exposures allow children to mirror and repeatedly practice movements depicted in the images of the book. Often these movements link directly to physical skills that toddlers are working on mastering. The book, From Head To Toe, was a great fit for developing physical skills because of its simple, repetitive narrative that drew in our students, and for its playful directives that allowed each child to practice moving their individual body parts like each animal. We decided to create a unit using From Head To Toe that focused on one body part each week. Using the book as a starting off point, we were able to explore how we can use our arms and hands, legs and feet, and head and neck.

SEECstories.com (5)First, we set up the room to give our students many opportunities to freely play and explore the book and concepts we were covering. We had copies of the board book on the bookshelf and a bulletin board showing each animal. We moved the climber directly below the bulletin board to both give them access to the board, enticing them to practice physically going up and down the stairs, and to encourage them to extend their hands to touch the pictures.

SEECstories.com (6)During circle time, our toddlers held photographs of animals’ feet, legs, knees, and toes, as they were encouraged to bend their own knees, wiggle their own toes, and kick their own feet. They gained mastery over their actions in a controlled manner, while also increasing their ability to sit in one place for an extended period. This helped them to expand their capability to focus on one thing, which is very different kind of physical work for toddlers.

SEECstories.com (7)In our classroom, we invited our students to continue using their arms and hands in meaningful ways with art activities and sensory choices that connected to From Head to Toe. They loved waving their arms like a monkey while throwing the paper packing material in the air!

SEECstories.com (8)We did not just focus on gross motor movements, but spent time finding, identifying, and moving our facial features. We also practiced the small muscle movements that are involved in communication by smiling, frowning, and using our mouths to form different sounds.

SEECstories.com (9)We also brought the book into the museum, stomping our feet alongside an elephant, clapping our hands next to a seal, and bending our necks with a giraffe.

SEECstories.comAcross these lessons and experiences, the constant was Eric Carle’s book. We referred back to the work, over and over again, not only because our students loved it and asked for it (which they did!), but because we could offer them the chance to work on the difficult physical tasks of developing new motor skills, without asking them to shift their attention and devote resources to a new topic of exploration. By choosing an age-appropriate, well loved book, we were able to extend our students’ focus, offering them meaningful learning opportunities in multiple disciplines while they were engaged and having fun. We allowed them to do the hard, physical work of being a toddler in a way that was exciting, enticing, and very enjoyable.

Interested in learning more about literacy and young children? Check out our upcoming seminar Emergent Literacy Using Objects.  

Looking for other books that help young children practice their emerging physical skills, check these out: 

 

What Makes a Preschool Successful?

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As is often the case I was scrolling through SEEC’s Twitter feed one morning on the metro and I came across an article from Scientific American entitled, How to Prime Preschoolers for Success. The article focuses on a few key points:

Preschools should focus less on memorization of letters and numbers.

Conversations build language skills and that aids in future academic achievement.

Programs that support executive functioning skills like multi-tasking, impulse control, and focus also support children academically and socially.

I am always looking for articles that reflect our practice, but truth be told it can often be difficult because of our unique setting. In fact, even after working at SEEC for seven years I often find it difficult to articulate to those who aren’t in early childhood what SEEC does and why it’s so valuable to young children. This article really spoke to me and got me excited about how well aligned our approach is to the research.

Playfulness

The article highlights Tools of the Mind  a curriculum that, in preschool, centers around play.

In a Tools PreK classroom, a play theme unifies the room. The year begins with adaptable play themes close to children’s lives, and over the course of the year, as children’s levels of make-believe play, self-regulation and executive functions develop, the play themes develop as well.

Researchers who have studied Tools suggest that children performed better on executive function tasks than those in schools who did not use it. The research suggests that these results were likely tied to the fact that children are able to play and therefore, have to plan (in fact, with Tools they actually formally plan their play), collaborate, and problem-solve. And in addition to practicing these important skills, the play itself is innately interesting to a child and therefore, they are more engaged.

At SEEC, we think similarly about play and engagement. Our faculty finds creative ways to incorporate play in museum settings. For toddlers, we may bring toy airplanes to accompany us on a trip to the National Air and Space Museum. For preschoolers, we may pretend to build a campfire in front of a painting that looks like a good campsite.

 

Choice

IMG_6397The article talks about the importance of choice noting a 2018 study from the Journal of Applied Developmental Psychology that suggests a correlation between autonomy and executive function skills. While SEEC does not utilize the Montessori-style activities as referenced in the article, we do think choice is extremely important. In fact, we follow an emergent curriculum and observe the children in play and conversation, using these interactions as to inspire classroom themes and activities. It is also part of our daily routines, faculty empower students to make personal choices and gain independence in their self-care. And though we often work on a tight schedule because of our museum model, we emphasize choice as much as possible in other areas, like art-making, play, and in the formation of classroom rules and routines.

 

Conversation

Perhaps the part of the article that was most exciting was its insight into the importance of conversations:

“…a higher quality and quantity of children’s turn-taking conversations helps them build their oral language skills, laying a foundation for reading and writing.”

IMG_1294 (1)Conversation is one of the cornerstones of our practice. Even with our infants, you will observe faculty engaging in conversation. They do not simply speak at them, they watch for clues and respond to infants and toddlers in a respectful way that builds their understanding of vocabulary and concepts.  By preschool, we see children having turn-taking conversations in the classroom and the museum. Many of our faculty members employ modified thinking routines from Project Zero or looking strategies commonly used in museum education. It is during these conversations that we observe children not only using language skills, but also practicing focus and self-regulation. Because they are also actively involved in the conversations (i.e. truly be listened to and shaping the conversation itself) they are naturally more engaged and likely to learn.

This type of rich conversation doesn’t have to take place in museums only. Educators can do this through dialogic reading, the use of objects in the classroom, the natural environment or by using museum resources. In fact, this combination of book, object, and visual can be highly effective. But as the article mentions, educators need to be trained to be effective. Its not always easy allowing for   autonomy while also supporting a calm environment in which children can be heard.

Conclusion

As our understanding of teaching and learning grows, I hope that preschools will move away from models focused strictly on rote memorization.  At SEEC, we hope to help educators see how they can support rich learning environments in and out of the classroom while allowing for choice and play. Reciting your ABC’s and counting to 10 are important skills for preschoolers, but with the properly trained educators we can help plant the seeds for children who will be successful leaders, collaborators, and problem-solvers.

 

Take Your Baby to a Museum! It will be awesome!

New addition to the family and desperate to get out? Why not grab your infant carrier and take your baby to a museum? Museums are quiet, climate controlled, and full of visual stimuli for you and baby to explore. And now, more and more museums are specifically catering to this audience. Our neighbors on the National Mall are becoming more and more family friendly. A great way to find out about family friendly events is to visit the Smithsonian’s event calendar and select the Kids and Family category.

You don’t need a special event to visit with your baby though. Below, you’ll find reasons why we think exploring a museum with your baby is awesome and our suggestions on how to have a successful visit with your youngest family member.

The Why

  1. It’s Quiet

Museums are quiet. Sometimes quieter than your home which will translate to a calm soothing environment for you and baby.

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  1. Brain Stimulation

This is a great place for you both to learn. For adults, you are able to read exhibit labels and increase your visual literacy. For babies, a museum provides an opportunity to receive great visual stimulation from the objects while also learning to adapt to new environments. In addition, they are also building vocabulary as you describe what they are seeing (more details below).

  1. Lots of Places to Sit

There are usually lots of places for you and baby to sit and take a break. If a museum doesn’t have many benches, they will often provide gallery stools (just ask at reception). Take baby out of the carrier or stroller and find a spot to sit and spend some time looking at the art.

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  1. Free

If you live in or near D.C., museums are free. This means you can spend as much or as little time in the museum as you want. There is no need to feel guilty if you only last 20 minutes. Talk about budget friendly!

  1. Temperature Controlled

The temperature in a museum is always just right. Summers and winters are brutal and often limit a new parent’s ability to organize an outing with their child. Museums offer large temperature-controlled environments for you and baby to shed layers on cold days or to cool down during hot summer weather.

  1. Food and Coffee

Museums are one stop shops. There is usually a café attached  so you don’t have to transition or travel to a new space for a beverage or a meal.

Museums offer lots of space for movement. Babies like to be on the go and museum galleries are great places for a stroll while you both are also actively learning and looking. You could also park the stroller and lay out a blanket to allow baby to get in some tummy time near an exciting object in the gallery. If you are not feeling comfortable doing this in the gallery, try starting in a common space like a courtyard or in the lobby. The National Portrait Gallery and Smithsonian American Art Museum have a wonderful space for this type of activity in their sunny covered central lobby.

 

The How

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  1. Pick the Right Museum

When possible, start by visiting a museum with which you are familiar and comfortable. Being able to navigate the space easily will reduce the stress of taking your baby out on this type of adventure for the first time. Knowing the width of hallways and where the elevators are located will enable you to relax and enjoy exploring this new environment. In addition, it is important to choose a collection that is engaging for both you and your child. A museum of miniatures might be great for a solo adult visit, but would probably be too small for your baby’s field of vision. We recommend galleries with large graphic objects for babies.

  1. Make it Social

Grab another caregiver  to join you on your visit. This will allow your babies to have new social interactions and provide you time to hit a short pause on the baby talk and also enjoy some adult conversations.

  1. Set Up a Timeline

Plan to visit the museum during a time you think you and your child might enjoy it the most. Even if your child ends up sleeping through the whole event, they are still absorbing  the environment and learning from that experience.

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  1. Let Go (Babies make sounds, it’s ok!)

While museums prefer that sound is kept to a level that allows all patrons enjoy the objects, this does not mean that visitors need to be silent.  Patrons and museum staff understand that babies make sounds, and may get upset and cry. It’s ok! Try not to spend the whole time worrying about it. Instead, understand their coos and chirps as part of your ongoing dialogue as you explore the galleries.

  1. Narrate to Baby

This is a great habit to incorporate throughout your daily routine, but especially in the museum. Babies may not be able to respond with words, but your new baby is listening and picking up language and verbal skills from your dialogue. Since babies’ eyes may not yet be able to see all the sharp details of the objects, it is important to describe the works so you can help them better “visualize” the museum’s collection.

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  1. Bring Hands on Materials

To enable children to develop deeper connections with what they are seeing, bring something along that relates to the object, with which they can interact. For example, if you are going to a natural history museum bring along some faux fur or snake skin so that they can touch these materials while observing the creatures in the animal hall. This allows the object to come “out from behind the glass” and interact with the child.

  1. Attend a Baby Museum Class

Not ready to head out on your own? Try joining a baby in museum program at a local museum. If you’re in D.C., check out SEEC’s Bring Your Own Baby infant program: here . During this guided visit you’ll join other families with new babies and explore the galleries with an engaging and supportive educator. By the end you’ll feel excited and empowered to take independent museum explorations with your baby!