SEEC 3-D!

The Smithsonian Early Enrichment Center is incredibly fortunate to have access to some amazing resources! It’s not just the museums but we often have wonderful experiences with the people working in the museums. For example, over the summer two of our classes were able to collaborate with colleagues at the National Museum of American History. It was great for our students to have an opportunity to work with one of American History’s interns and technology wiz Mariya Sitnova. The following post was written by Mariya and is shared on her behalf. Thanks for introducing us to some cool new technology,  Mariya!

As an education intern at the National Museum of American History, I spent my summer working on various projects that bring the contents of the Museum content to classrooms across the country, including the Smithsonian’s very own classrooms in SEEC. My graduate studies at the Rhode Island School of Design (RISD) have focused on considering the potential relevance of 3D technology (3D scanning and 3D printing) in our every day lives. During this internship I was able explore this idea while working with the students and teachers at SEEC.

The Smithsonian is in the process of 3D scanning select objects from the collections and some are already available on 3d.si.edu. This summer I explored how young learners interact with these types of objects in 3D printed form.

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My first pilot project was one I carried over from RISD. I had 3D scanned a few marine creatures from the RISD Nature Lab and added Lego “feet” in various positions. The idea was to 3D print something that enhanced the learning value of the 3D scanned object. The Lego connections resonated with the students because they were familiar with the brick toy concept. For the younger SEEC crowd I created a Duplo connection (the slightly larger Lego) and made the animals significantly bigger. The students asked interesting questions and proposed engaging narratives around these creatures. The wondered about where these creatures lived and where they would go with their new Duplo wheels. I’d be curious to keep going with the connections project by allowing them to choose where on the creature to add the Lego “feet” so they can explore the object even further in digital form.

The other project consisted of printing architectural models of the Capitol and the White House. The older group had planned to visit both buildings as part of their community theme. I created the 3D models using computer aided design software and 3D printed them in front of the students to gauge their responses. The project was to serve as a lead into a lesson on Abraham Lincoln whose life masks have been 3D scanned by the Smithsonian 3D team. The life masks are a more complicated concept, so we thought we could introduce 3D first through a simpler object and build up to the Lincoln material. I was genuinely impressed by the complexity of the questions the students asked about the process of 3d printing and 3d modeling and the models themselves. They were intrigued by how the printer functioned and how they could mix up materials to create these models in different colors and size.

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Current preschoolers are going to grow up with this technology in their classrooms and maybe even their homes. It’s really impressive to see the Smithsonian pursuing projects that will help determine how this technology can take early education and museum education to a much more engaging level. I’m really looking forward to hearing more about the subsequent 3D projects in the future!

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New Classrooms: Welcoming Environments

The First Week of School

This week marks the start of a new school year at SEEC and I took the opportunity to walk around and see the classrooms. SEEC teachers have been working tirelessly over the past few weeks, so I was pretty excited to check out all their hard work. I was especially interested because the classroom environment has been a hot topic amongst my colleagues and over the course of the last year, I have really seen the teachers contemplating the meaning and importance of their surroundings. This shift was well illustrated in an earlier blog by one of our teachers entitled:  Rethinking the Environment

The Power of the Environment

As early childhood educators, we think about arranging classrooms in ways that make sense – i.e. put the art area next to the sink or don’t put a reading area next to a noisy music area. We also think about safety and logistics too — all important. But the environment can be so much more – it can be a comforting, soothing locale that inspires children to learn, create and gain independence. Teachers are challenging themselves to think about how their classroom can engage and empower their students. The question of environment is, of course, of much broader scope than this blog, but I thought it would be great to look at some photos of our classrooms to see how our teachers are thinking about their classroom environments.

 

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Research has proven that bright colors like red, yellow and orange, can often be over-stimulating. These colors solicit a calmer, more welcoming feeling.

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This cozy corner provides a space for reading and a nook where a child can deal with feelings of frustration or anger. The canopy makes it feel especially protected and the green pillows evoke nature and feelings of calm.

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These photos were posted along a seated area in one of our toddler rooms. It portrays something that all children can relate to from multiple perspectives adding a multicultural component.

"Computer lab" has never looked so good. The bench and the table are the perfect height for the 4's intro to technology.

“Computer lab” has never looked so good. The perfectly sized bench and table encourage the four’s to tinker with the computer.

Visual reminders of how a preK class wants to approach apologies.

These visual cues help SEEC’s preK class remember their classroom conversations about apologies.

Your Feedback

Teachers – do you have a space you are particularly proud of? Please share it with us. Museum educators – we would also love to see photos of learning spaces in your museums.

You Teach Art History to Preschoolers?

Written by Carrie Heflin

Art History

The lesson on emeralds.

Twenty five thousand years ago our rapidly-evolving ancestors discovered a network of caverns in the region currently known as Lascaux, France. What they did there made an indelible mark on our species and our planet.

For most of our early years, man was focused solely on our own existence. But these images on the walls of the caves at Lascaux were created by human hands. We don’t know why they were created or by whom. All we know is that, as our most ancient ancestors spent hours in the dark musty interior of the caves at Lascaux recording the world around them in a way that would preserve their thoughts and feelings for thousands of generations to come.

Today we seem to have lost sight of this earliest vision of our forefathers. As we slash budgets, we often do so at the expense of museums and their programming, art classes in schools, and extracurricular activities. Art and its history are not just some frill belonging to the upper one percent of modern society. They are an element of our most basic nature- a calling in our souls.

I am in my third year as a pre-kindergarten teacher at the Smithsonian Early Enrichment Center and I use my art history degree every day as part of the curriculum. I teach my children to be critical thinkers and careful observers from early on.

The Wizard of OzLooking at a pair of emerald earrings.

One of the first topics we explored at the beginning of the 2013-2014 school year was Frank L. Baum’s timeless classic, The Wizard of Oz. We talked about everything Oz, from men made out of tin, to things that melt when they get wet. At the end of the unit I had two anecdotes that reaffirmed for me that the way that I implement art as an educational tool in my classroom is vital. The first was from a mother who had spent the weekend trying to design her family’s annual Christmas card with her two sons. As they sat in front of the computer trying various filters on the images, her older son became intent on using the dreaded sepia tone filter that makes everyone look like they’re in an amusement park Wild West saloon shoot. To appease him the mother clicked on the sepia option and her younger son (who is my student) immediately pointed at the screen and yelled, “Hey, it looks like we’re in Kansas!” This comment refers back to the first week we studied Oz almost a month prior when we went to the Hirshhorn Museum to look at two Wall Drawings by Sol Lewitt. One piece was in color and the other on the opposite wall was in black and white. We explored the art and how it was created and then we talked about how different color schemes make us feel and how the filmmakers in the Wizard of Oz used this concept to show viewers how Dorothy felt in Kansas.

The second comment was made during a morning circle on the letter “B.” We asked the students to think of words that started with “B” and one boy called out “beryl!” We asked him if he remembered what beryl is and he exasperatedly explained that everyone knows it’s the main ingredient in emeralds. He is four. Did you know what beryl was before you read this paragraph?

As much as I would like to tell you that they are, my students are not all geniuses. They are not smarter because their parents read to them in utero or played Baby Einstein movies in their nurseries. They are able to process and retain knowledge because they have learned critical thinking skills the likes of which I was still honing in high school. They answer open-ended questions with thoughtfulness and clarity that floors me on a daily basis and they remember what they have learned and apply it to their future endeavors. These are the skills that we as educators strive to instill in our students because they are the tools to success. Being able to analyze and apply what you have learned is the only thing that makes knowledge useful.

Conquering the climber with our hand-crafted emerald vision spy glasses.I firmly believe that the work we do in the museums is the key to unlocking these skills at such an early age. Every day I see my students connect with art and with objects. I see their eyes light up when I tell them stories of people who felt and questioned long, long ago and who made beautiful wonderful things that we can see and explore today. I hear their questions as we wander the halls of our nation’s most expansive art collections- “Why is that so blue? Who made those statues? Is that a sculpture or a painting? Is that Hermes or Zeus?”- and I watch them implement their knowledge in their play. My students have used dress up to be French flaneurs and turned our climbing structure into a ship sailing to see Claude Monet and Edgar Degas. They can tell you who the Neanderthals were and what their favorite Shakespeare play is. They are sensitive and passionate and insatiable learners. My greatest fear is that they will leave our school and become less curious and more focused, less passionate and more dedicated to trying to memorize information and facts.

Final ThoughtsLooking at Elizabethan clothes at the beginning of the Shakespeare unit.

As we rang in 2014 the Smithsonian was preparing itself for budget cuts that may have required our nineteen museums to close one day a week for an indefinite period of time. One day a week, we were told, we might not be able to go see the art. While it was only one day, it felt like the beginning of something very big and very bad. When the largest and most renowned museum network in our country is forced to consider closing its doors it seems like only a matter of time before other institutions must follow suit. It didn’t end up happening, thankfully, but it did make me want to sit down and put my thoughts to paper. I didn’t write this article to protest government budget cuts.

There are already plenty of people doing that. I just hope that what I have to say can make my fellow educators stop and think about the enormity of the task before us and I want to offer a suggestion for a way to make it more manageable. Use the mistakes and triumphs of our species’ long and winding path to show your students a better way into the future. Don’t let those critical thinking skills that we worked so hard to develop be lost on a future generation of people with endless knowledge at their fingertips, because the more we depend on our gadgets for answers the less we will seek them ourselves. Instead, use the tools that you have been given- tablets, projectors, laptops, and yes, museums to encourage your students to seek out and interpret knowledge. Immerse yourselves in the passion of human creation and discovery and you will be amazed the places it will take all of you.